“New Waters” wins the 2017 Burnham Prize “Under the Dome” competition

Project description: “The dome is not neutral — it is a monumental architectural form. It dominates, centralizes and defines a focal point for congregation. The abandoned St. Stephen’s Church offers the opportunity for a new interpretation of public space. The pool has the ability to regenerate the neighborhood while creating an intimate and playful public space.

The public swimming pool has had a contested history in America dating back to the 19th century. It first emerged as a place for personal hygiene and then evolved into a site of public tension through gender, economic, and racial divide. Today, Chicago manages 49 outdoor pools and 28 indoor pools. The new pool joins this existing, established network, but offer a new spatial environment that juxtaposes between the new and the old.

By reconfiguring the church’s section into a multi-level groundscape, the new public pool provides a playful environment for recreation, relaxation and spectacle. This new intervention of multi-color terrazzo meets the existing, decaying plaster church walls through a strict horizontal datum that straddles intervention with preservation. 

As a response to the new program, the existing Guastavino dome is replaced with a new dome that follows the former’s silhouette. The new dome utilizes modern technology and construction with glue joined glass elements. It is comprised of a pleated, slumped glass module that references the existing Guastavino coffer module. By recreating the dome with modern techniques and translucent materials, the new dome brings light and air into the swimming pool and serves as an urban beacon.”

Honorable Mention: “Dualism” by John David Todd, Kevin Lamyuktseung, and James Martin

Project description: “We have become a multitude. We have become atomized collections of individuals, no longer bound to a collective. The collapse of the Enlightenment Project into the many ‘isms’ of the 20th century left a bad taste in our collective mouth. It has left us ambivalent about institutions and power, pessimistic toward the possibility of a utopia, skeptical of unifying systems and Grands Projets. Wandering about the no-stop Cartesian plain, we are left in search of our own private pleasures, consuming our own meaning. Yet, in this Cambrian explosionof truths and tribes, we have lost the polis.

In Ancient Greece, the polis referred to both the spatial territory of thecity-state as well as the collective body of citizens. For the Greeks, thebasis of humanity and society was bound to the creation of a public, and the public to the construction of the political. Central to the publiclife in the agora was the ekklesiasterion, the space of general assembly that gave place to politic.

The dome is a representational space of unity. Capping the heavens, itfocuses all that is beneath into a unified whole from above. The inversion of the dome is a bowl. It is an inhabited topography—focusing view and gathering movement inward, constructing unity from the ground up. It is the space of the ekklesiasterion. It is a social space of negotiation that constructs the body of the polis through dialogue and debate.

First encountered is the space of the grid—a low and horizontal expanse to wander amongst a forest of columns and cores. Ascending into the poché, a foam-like assemblage of chambers provide opportunity for seclusion and small gathering. Finally, there is the space of the dome and of the bowl.”

Images + project text courtesy of Chicago Architectural Club.