The main basis of his fame isn't built work but imaginary projects and sculptures and installations that might be called architectural art. An artist was what he wanted to be as a child, and when he graduated as an architect during the Brezhnev era he wasn't interested in working for "one of the big state institutions" which were the only likely sources of employment. So he started dreaming up "paper architecture", imaginary projects, in collaboration with the artist Ilya Utkin. — guardian.co.uk
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