When architecture is bad, people have to suffer with it forever, practically—about 70 years or so. I strongly believe in the idea that public space should be incorporated in buildings of a certain magnitude, and buildings should make a contribution to the city. An architect needs to think about environmental impact, too—something that mitigates the impact of the building. — Mansion Global
According to the 74 year old architecture icon, Rafael Viñoly knows his way around a successful career. However, what can we really learn from this design virtuoso? In a recent interview with Mansion Global, Viñoly shares his take on what it means to be "good architect." Much has changed in the architecture realm since he first opened up his practice Rafael Viñoly Architects in 1983. However, one thing is for certain, the path to becoming a good architect is one filled with responsibility.
Not shy to any design challenge his approach to design ranges from mega skyscrapers to convention centers, even the occasional laboratory. For the Uruguayan architect designing a successful building comes down to how it will redefine its place. "The best architecture redefines how things are going to be, rather than repeating what has been accepted, or what is already part of the norm. And you can create amazing objects, but if they’re not functional, they don’t work. A building also has to be strong financially and attractive enough to people to actually use."
An avid drawer of sketches, it is said that the architect can be found carrying Moleskin sketchbooks everywhere. His fondness of drawing on his own is something of an indulgence for him. Trained as a classical pianist at a many inquire about his passion for music, the arts and their relation to architecture. However to Viñoly the answer is simple, "architecture is not simply about the art of drawing; it’s about construction. You’re taking someone else’s problem and you’re solving it."
Without a doubt Viñoly's multi-disciplinary practice does not discriminate from what is and is not possible. When asked where he finds inspiration Viñoly states that self-criticism is a key factor in his design process. He sees every building as an opportunity and does not stray from wanting to work with those who are prepared to learn. He compares an architects design process to that of a writer or editor "you write a piece with the help of someone who understand the medium you're operating in."
To become truly great according to the seasoned architect it's the collaborative process between client, your team and your self that allows for successful designs to come into fruition. Simply put, Viñoly's approach to architecture is "an exercise in translation than authorship."
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