"Along with their monumental role in Rome's urban fabric, the architectural status of fountains has long been uncertain. It can be hard to determine when they ceased to be viewed as public water utilities, and came to be regarded as purely artistic objects." — Places Journal
In the same week in 2016, a group of tourists were denounced as trespassers for splashing around in one of Rome's historic fountains, while Fendi was praised for its tribute to Italy's artistic legacy by staging a fashion show across another. Anatole Tchikine is prompted by these contrasting reactions to examine the complicated relationship between architecture, water, and the body in the city — from early modern laundresses to La Dolce Vita.
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