On a recent afternoon, the historian Robert Jan van Pelt was standing in a quiet room at the 15th Venice Architecture Biennale, explaining the significance of an unassuming steel-mesh column that visitors to this sprawling survey of global design might walk right past.
“This is one of the most deadly things so far created,” Mr. van Pelt said. And it was the handiwork, he noted, of an architect.
— the New York Times
"The column — painted, like everything else in the room, a pristine white — is a reproduction of one of the eight chutes used to lower Zyklon B poison pellets into gas chambers at Auschwitz."
For more from the 2016 Venice Biennale, check out these links:
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