In 1973, artist Donald Judd moved to Marfa, TX. Judd’s work consists of imposed abstract geometries which become contextual through repetition and position. Judd bought, restored, and built extensively in Marfa, establishing the little western town as an art destination. The project calls for an visiting artist complex adjacent to Judd’s block. Similar to Judd’s approach, the project aims to impose a rigid geometry to the site. Then, the geometry is allowed to interact and vary slightly to respond to program, scale, and orientation