mArchten was tasked with designing this elevator set (façade and carriage) as part of the renovation of the Silpakorn University Art and Cultural Center, a project dedicated to the 72th anniversary of His Majesty the King’s reign. This renovation includes Reception Hall and four surrounding Thai pavilions.

Located within the Sanam Chandra Campus of Silpakorn University, this structure is familiar to many alumni.

Silpakorn Viridian Green Music Pavilion 

The choice of viridian green, or ‘Silpakorn Green,’ for the elevator’s structure is deeply symbolic, reflecting the university’s official color. Nestled within the gardens of the university’s Wang Tha Phra campus, the Music Pavilion stands as a small oasis known as the ‘Suan Kaew’ or ‘Orange Jasmine Garden,’ referring to orange jasmine flowers rare to find anywhere else in Bangkok. This historic structure, once a venue for musical performances, now serves as a tranquil retreat for students. The elevator’s color pays homage to this iconic pavilion, blending the past with the present. 

Origin of Thailand’s “Gingerbread House” architectural design, to be combined with elevator design

From its shape to its intricate carvings and perforated patterns, Thai architecture is the central theme of this project. The form is inspired by the ‘Gingerbread House’ style, which gained popularity amongst the aristocrats during the reign of King Rama V, when Thailand began trading with foreign nations. 

Named after the decorative gingerbread cookies and the fairy tale "Hansel and Gretel," these houses initially featured simple designs. 

However, by the early reign of King Rama VI, skilled Chinese craftsmen began arriving in Thailand and introduced more elaborate patterns, making the structures lighter and more intricate, suitable for tropical climate. 

This project draws on the rich heritage of buildings like the Vimanmek Mansion and the Abhisek Dusit Throne Hall, incorporating elements such as perforated panels and detailed woodwork.

Perforated Wooden Patterns in the Elevator 

Inside the elevator, the design seamlessly continues with wood cut-out patterns that reflect the exterior's intricate designs. The interior woodwork showcases the material’s natural beauty, enhanced by detailed carvings. 

The elevator doors feature sandblasted glass patterns inspired by motifs from Princess Maha Chakri Sirindhorn, including her royal symbols such as the zodiac year of the goat and the purple flower emblem (Persian gentian flowers), celebrating botanical beauty.

Accessibility and Universal Design 

Expanding beyond the auditorium hall, the designers incorporated features from the corridors of the Maruekhathaiyawan Palace. A gently sloping ramp leads from the outside walkway into the building, designed to be accessible for wheelchair users and those with disabilities. This aspect of universal design reflects the project’s inclusive ethos, ensuring the elevator is accessible to all.

Preserving Architectural Heritage 

In an era where traditional architecture is often overlooked, we are proud to contribute to preserving and revitalizing historical design. This project breathes new life into the timeless elements of Thai architecture, ensuring they remain relevant and appreciated.