A gentle giant of marble, glass and concrete, this stately commercial space makes an impact without imposing on the street.
Groenlândia’s white marble box, set back from its namesake street in Jardins São Paulo, makes heavy horizontal stacks appear remarkably light and airy, thanks partially to a glass-pane foyer on the ground floor and snaking layers of opaque marble and transparent glass. Jacaranda trees surround the plot, diffusing the light and creating a soft reflecting air around the building. And the front yard’s mix of marble, concrete, papyrus, jacaranda trees and water reinforces the "Greenland" name’s multiple meanings: referring to both the greenery around the building, and the icy, white, marble materiality suggestive of Greenland's glacial terrain.
From the architects:
// Groenlândia
Triptyque has just completed a commercial space Groenlândia in the very chic neighborhood of São Paulo, who defies the gravity. Behind the Jacaranda creepers and the ten meters palm trunks, appears a block of white marble in the middle of a mineral garden. Triptyque wanted to emphasize the stiffest materials such as marble and concrete to challenge them with the gravity. Groenlândia links together stone and glass, rigidity and transparency, durability and lightness.
The deck, a large slab of concrete floats from over 9m, above a block of white marble suspended for two masterful concrete pillars in the center of the block. Large transparent windows support the deck creating an invisible link with the marble. The block of stone is pierced by open windows in marble, creating a paradox between the function and the matter. The corners of the stone block are based on aquatic beds sprinkled of Papyrus. Inside, floating stairs lead visitors to the terrace for a wonderful view. Despite the closed aspect of this upscale neighborhood of São Paulo, the building, without fence, is in direct contact with the street. Once again the Triptyque architects put in contact the private space (the architecture) and the public place (the city).
Présentation
Since 2001, Triptyque Architecture explores tools to serve the contemporary and sustainable architecture and to contribute to the development of urban areas. Now based in São Paulo and Paris, the agency created by Grégory Bousquet, Carolina Bueno, Guillaume Sibaud and Olivier Raffaelli completes 13 years of creation.
Datasheet:
Project : Groenlândia
Location : Rua Groenlândia, 1157, Jardins São Paulo
Project year: 2010
Delivery year: 2014
Construction surface: 993 m²
Basement surface: 308 m²
Plot surface: 290 m²
Top floor surface: 341 m²
Deck surface: 300 m²
Architecture: TRIPTYQUE
Partners: Greg Bousquet, Carolina Bueno, Guillaume Sibaud and Olivier Raffaelli
Manager: Luiz Trindade
Project Manager: Pedro de Mattos Ferraz e Paulo Adolfo Martins
Team: Murillo Fantinati, Luísa Vicentini, Priscila Mansur, Priscila Fialho, Natallia Shimora, Gabriele Falconi, Nely Silveira, Alfredo Luvison, Danilo Bassani, Thiago Bicas.
Photo credits: Pedro Kok: foto@pedrokok.com.br
Constructor:
Brandao e Marmo, Supervisor Anderson Toledo, João Carmona
Partners: Fábio Baptista e José Paulo da Silva
Providers:
Glass: Primo Vidros
Facade: Granicut
Fundation: Solosfera
Ilumination: Cia da Iluminação
Wooden deck: Phênix Decor Pisos
Metal structure: São Carlos
Painting: W Cor
Locksmith: Paulifer
Others:
Landscaping: Bia Abreu e Triptyque
Frame: GamaZ, colaboração Eng. Helvas
Hydraulic: K2P Projetos
Electric system: K2P Projetos
Facade: Arquiteto Paulo Henrique Araldi Pena
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Former Managing Editor and Podcast Co-Producer for Archinect. I write, go to the movies, walk around and listen to the radio. My interests revolve around cognitive urban theory, psycholinguistics and food.Currently freelancing. Be in touch through longhyphen@gmail.com
2 Comments
Totally gorgeous.
Brazilian architects seem to have handled the development of Modernism as a style much more smoothly than those in Europe or the US. It's as if no one there ever doubted the potential of Modernist architecture to produce sensual, humane buildings - despite the rather unsuccessful planning principles used in Brasilia. No academicism - just a continuous refinement from Corb through Niemeyer (and Costa, Bo Bardi) through to today. I wonder why it's been so successful there.
man those marble shutters are keen...
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