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Rand Elliott Architects

Rand Elliott Architects

Oklahoma City, OK

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The alley entry serves as the primary delivery access for RED Prime Steak Restaurant. It is also the Ghost Gallery entrance.
The alley entry serves as the primary delivery access for RED Prime Steak Restaurant. It is also the Ghost Gallery entrance.
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Ghost Gallery

Scope:   1,060 sq. ft.

Building History:  Constructed in 1911, the Buick Building was the first automobile showroom in Oklahoma City and began what is now known as Automobile Alley.  Unlike most modern sales dealerships, this was a direct sales outlet built and owned by the Buick Motor Company of Detroit.  With its limestone ornamentation and embossed name, the two-story structure was well suited to the early automobile industry.  During the early decades of the twentieth century dealerships did not maintain large inventories.  Instead, potential buyers were shown a model or two in the ground floor showroom.  If the customer wanted the model it was then ordered from the factory.  Due to small inventories, large showrooms were not needed.  Moreover, by not stocking cars for sale, open car lots were not necessary in sharp contrast to dealerships today.  By the late 1920s, small dealerships such as Buick were changing.  By 1930, the Buick Building was used as a paint store with the Buick dealership having moved to a larger building at N. W. 10th and Broadway.

The Buick Building is part of the historic downtown district known as “Automobile Alley.”  This area is a district building on its history as home to more than 50 car dealerships and their related services.  Following the April 19, 1995 bombing of the Alfred P. Murrah Federal Building, the development of the Automobile Alley Main Street Program resulted in private investment in excess of $30 million. 

Architectural Concept:  The husband/wife owners had always imagined a private gallery in the basement of the Historic Buick Building.  Originally used to service 1911 Buick automobiles, the basement is now the prep kitchen for Red Prime Steak (opened 2005), archival storage for a professional office, and Ghost Gallery.  Ghost Gallery takes its name based on the idea of art appearing and disappearing without warning.  Ghost Gallery now serves as an art space for exhibits, private dinners, and lectures on subjects of the owner’s interest.  Event one honored American artist Agnes MartinFinding Clarity: Photographs by Judith Turner was be Event Two.  Each private dinner and lecture will host 9 friends for an evening of art, food, and discussion.  Future events will include works by territorial photographer North Losey, prints and books by Le Corbusier, and works by Fred Sandback.

 
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Status: Built
Location: Oklahoma City, OK, US
Firm Role: Architect
Additional Credits: Photographer: Scott McDonald, Hedrich Blessing
General Contractor: Lingo Construction Services
MEP Engineer: Determan Scheirman Engineering
Waterproofing: Midwest Waterproofing & Restoration
Custom cabinets & woodworking: Contemporary Cabinets

 
The gallery entrance sequence passes by restaurant staff lockers, prep kitchen and storage room doors. The main gallery entry has a new sign for each event.
The gallery entrance sequence passes by restaurant staff lockers, prep kitchen and storage room doors. The main gallery entry has a new sign for each event.
Ghost Gallery seats a maximum of 10 surrounding a Baltic Birch slab table. The west end of the table is the focal point art for discussion.
Ghost Gallery seats a maximum of 10 surrounding a Baltic Birch slab table. The west end of the table is the focal point art for discussion.
The Gallery seats a maximum of 10 surrounding a Baltic Birch slab table. The west end of the table is the focal point art for discussion.
The Gallery seats a maximum of 10 surrounding a Baltic Birch slab table. The west end of the table is the focal point art for discussion.
A view looking east past a historic concrete column. The slab table shows respect for the historic building by passing by instead of engagement. A cable system allows artwork to be relocated without wall damage.
A view looking east past a historic concrete column. The slab table shows respect for the historic building by passing by instead of engagement. A cable system allows artwork to be relocated without wall damage.
A view looking east past a historic concrete column. The slab table shows respect for the historic building by passing by instead of engagement. The red lighted floor trench is historic and originally redirected a chronic basement leak to a floor drain. We installed a red LED light in the trench and covered it with perforated weathering brass for safety.
A view looking east past a historic concrete column. The slab table shows respect for the historic building by passing by instead of engagement. The red lighted floor trench is historic and originally redirected a chronic basement leak to a floor drain. We installed a red LED light in the trench and covered it with perforated weathering brass for safety.
A view looking east towards the alley door entrance.
A view looking east towards the alley door entrance.
Museum quality environmental controls for the gallery and storage area allow unlimited exhibition opportunities. A wood and iron trolley was found in the historic building and now serves to move art around the space.
Museum quality environmental controls for the gallery and storage area allow unlimited exhibition opportunities. A wood and iron trolley was found in the historic building and now serves to move art around the space.
Table detail looking west.
Table detail looking west.
The Baltic Birch panels interlock effortlessly as vertical and horizontal planes become a table. Custom shims celebrate the uneven historic floor.
The Baltic Birch panels interlock effortlessly as vertical and horizontal planes become a table. Custom shims celebrate the uneven historic floor.
Table panel intersection.
Table panel intersection.
Baltic Birch slabs celebrate the construction joint.
Baltic Birch slabs celebrate the construction joint.