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Instead of striving for pseudo-photo-realism, this new cult of the drawing explores and exploits its artificiality, making us as viewers aware that we are looking at space as a fictional form of representation. This is in strict opposition to the digital rendering’s desire to make the fiction seem “real.” — Metropolis
Sam Jacob brings a current and analytical view to an essentially important and generative architectural tongue, the drawing. He writes about its anachronistic existence in the transitionally digital threshold years and how it is re-emerging and manifesting itself via the post-digital... View full entry
