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[Finbarr Fallon's] photo series Dead Space explores how these monuments are designed, and how their history contrasts with Hong Kong’s more modern developments. “I have always been intrigued by how city-specific cemetery design can be,” Fallon says via email. “While death is universal, its memorialization practices are not. I found it fascinating that extreme density and verticality continue to be a defining characteristic of Hong Kong’s dwellings for both the living and the dead.” — Fast Company
Hong Kong's towering high-rise cemeteries can reach up to 60-stories in height. Regarding the photo project, Fallon writes, “The images juxtapose residences for two diametrically opposed groups—the high-rises for the living, and graves for the dead." View full entry
Twice a week or so, loaded with bodies boxed in pine, a New York City morgue truck passes through a tall chain-link gate and onto a ferry that has no paying passengers. Its destination is Hart Island, an uninhabited strip of land off the coast of the Bronx in Long Island Sound, where overgrown 19th-century ruins give way to mass graves gouged out by bulldozers and the only pallbearers are jail inmates paid 50 cents an hour.
There, divergent life stories come to the same anonymous end.
— the New York Times
"New York is unique among American cities in the way it disposes of the dead it considers unclaimed: interment on a lonely island, off-limits to the public, by a crew of inmates. Buried by the score in wide, deep pits, the Hart Island dead seem to vanish — and so does any explanation for how... View full entry
