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When I visited her for the first time, at the end of the 1990s, I was still living in Paris. A typical London cab picked me up from the airport and brought me to her (at that time, quite small) studio, in which, supported by her young team, there was an atmosphere permeated by futurism. It must have been the same among the Russian avant-garde at the beginning of the ’20s, when they not only started to reshape art, but also society... — Hans Ulrich Obrist | Art Forum
"Three months later I visited her again, since I was working intensely on a project at the French Academy in Rome with an installation by Hadid in the garden of Villa Medici," Obrist continues."I realized that the same cab driver picked me up. When, some time afterward, I saw him for the third... View full entry
