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"It has a quality which is almost sort of punk, iconoclastic and in-your-face," [Norman] says with earnest wonderment. "And when you get inside the house, it's incredibly luminous and spacious and whimsical and really lovely." [...]
His assignment for the first of three concerts in a Los Angeles Chamber Orchestra series exploring links between music and architecture was to evoke in music what Gehry made of a nondescript early 20th century pink wooden house he'd bought in 1978.
— latimes.com
