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I was amazed at the sort of uncanny way in which his work tracks the arc of gay liberation, like early 60s pavillions that provided refuge from a hostile world and then as you go through the 60s and into the Stonewall period the houses become literally open and voyeuristic. Full glass facades facing the ocean - Christopher Rawlins — BBC News Magazine
Leigh Paterson visited Fire Island and talked with Christopher Rawlins author of a new book, Fire Island Modernist: Horace Gifford and the Architecture of Seduction. The two discussed the culture of this gay community and the work of this relatively unknown modernist architect, who helped... View full entry