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In Bentonville, Arkansas, a house that Frank Lloyd Wright designed for a New Jersey couple more than 60 years ago has been painstakingly reassembled, board by board and pane by pane, overlooking the clear waters of the Crystal Spring. When it opens to the public next month on the lushly wooded 120-acre campus of the Crystal Bridges Museum of American Art, it will be the first Wright house in Arkansas—a delicately preserved later example of the so-called Usonian homes [...]. — curbed.com
Previously on Archinect:Frank Lloyd Wright's 'Usonian' house rises again in ArkansasMuseum buys a Frank Lloyd Wright house with plans to move it from New Jersey to ArkansasArchitect Wants to Relocate New Jersey Frank Lloyd Wright to Italy View full entry
Concealed within the forest landscape of the Ozark Mountains in Arkansas, the acclaimed Thorncrown Chapel will celebrate its 35th anniversary this summer. Designed by E. Fay Jones, who was commissioned by retired schoolteacher Jim Reed, the 48 ft. tall chapel boasts 425 windows and over 6,000 sq... View full entry
Archinect's Architecture School Lecture Guide for Winter-Spring 2015Archinect's Get Lectured is back in session! Get Lectured is an ongoing series where we feature a school's lecture series—and their snazzy posters—for the current term. Check back frequently to keep track of any upcoming... View full entry
Archinect's Architecture School Lecture Guide for Fall 2014Say hello to another edition of Archinect's Get Lectured! As a refresher, we'll be featuring a school's lecture series—and their snazzy posters—for the current term. If you're not doing so already, be sure to keep track of any upcoming... View full entry
Archinect's Architecture School Lecture Guide for Fall 2013 Here on Archinect we recently launched "Get Lectured", where we'll feature a school's lecture series--along with their snazzy posters--for the current season. Check back regularly to stay up-to-date and mark your calendars for any... View full entry
Moshe Safdie has designed buildings around the world for almost fifty years but doesn’t have an identifiable style. His latest work, an Arkansas art museum funded by Walmart heiress Alice Walton, illustrates why it doesn’t matter — thewalrus.ca
