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Relph’s collection might be described as the first post-internet expression of the genre. The images mostly show buildings that are, in one sense, real or in the process of becoming so. But the rendering posters, created by design firms and developers, are also highly fictive, cinematic branding documents created to comply with a city law requiring public images of buildings under construction. — The New York Times
The arch flaneur Nick Relph has been documenting the city’s whirlwind transformation since the Gulliani administration and, for the past seven years, incorporating a VuPoint digital scanner into his work to produce a physical record of the changes that first made its debut in 2015 in MoMA... View full entry
