The exhibition, curated by Elias Redstone, originated as an online project and showcases 60 architecture magazines, fanzines and journals from over 20 countries. From Australia and Argentina to the UK and USA, these independent publications are reframing how people relate to their built environment – taking comment and criticism out of just an architectural arena and into everyday life. — archizines.com

This week, MVRDV, The Why Factory and the JUT Foundation for Arts and Architecture opened the fourth edition of the exhibition series “Museum of Tomorrow” in Taipei. Under the title “The Vertical Village” the exhibition explores the rapid urban transformation in East Asia, the qualities of urban villages and the potential to realize this in a much denser, vertical way as a radical alternative to the identical block architecture with standard apartments and its consequences for the city. — bustler.net

“HOW DOES IT FEEL TO BE FORTY YEARS TOO SOON?” Question of the year from Jeffrey Kipnis to Glen Small at a rooftop bar. — Small at Large

The architects recognize that the armory as an exhibition space is a far cry from conventional “white cube” galleries, or what Mr. Herzog called “egocentric, architecturally driven museums.” But he said the spaces are likely to inspire artists, not limit them. “Artists have increasingly started to like strange places to put their art,” he said. “The specific conditions are unique and interesting and every artist is challenged to put his paintings or performances in such historic conditions.” — New York Times

"Migration has always been the vital essence of Mediterranean cities. New cultures have continued to be included in daily life, and they have fertilised and expressed themselves through complex urban forms with richness and imagination." - Giancarlo De Carlo — Domus Magazine

Mr. Gehry predicted the panel will benefit from Justice Breyer’s sense of calm. “People have biases,” he said. “And having a guy like that, who is used to that kind of negotiation and discussion, could be very interesting. He’s a real straight shooter.”

Justice Breyer said he hopes to advocate for high-quality design in government buildings. — nytimes.com

Ryan also described a property as being designed by 'award-winning architect Noel Jessop'. A search of the New Zealand architect's register reveals that Jessop is not an architect, but that he has a certificate in drafting.

Ryan rejected the claim his conduct was misleading, saying members of the public use the words 'architecture', architecturally' and 'architect' interchangeably. — nzherald.co.nz

The new directors of the school, [AA, DC, MB said (on record and in a recording) that the university was a corporation and their first interest was not education. If education is a business, shouldn’t we know what we are paying for? — Public Intelligence

The 2011 Curry Stone Design Prize Winners were announced today with an official presentation ceremony to follow on November 7th at the Harvard Graduate School of Design. [...] Hsieh Ying-Chun is the Grand Prize Winner; he will receive $100,000 from the foundation with no strings attached. Hsieh is a leading Taiwanese architect who for over a decade has deployed his talents in rural areas decimated by natural disaster. — bustler.net

When I mention that architecture seems to be an afterthought in many new houses, Brady interjects: "If at all." It's a serious point because, she says, many homes are simply constructed off-the-shelf from manuals; even the once ubiquitous term "architect designed" has been ditched. — Guardian

“Design with the Other 90%: Cities,” the second in a series of themed exhibitions by Smithsonian’s Cooper-Hewitt, National Design Museum that demonstrate how design can address the world’s most critical issues, opens October 15 at the United Nations and runs through January 9, 2012. — bustler.net

Visitors to the Hungarian pavilion at the 1992 Seville Expo came in from the searing heat to a cavernous, dark space with a great curving roof like a cathedral. At its centre was a tree, brought from the Hungarian plains, stripped bare and set into a glass floor so that its roots, which stretched as far and wide as its branches, were made visible.

It was the work of Hungarian architect Imre Makovecz, who has died aged 75. — ft.com

Two blocks from the stately columns, arches and sculptures of Grand Central Terminal, a rogue band of architects is engaged in a retrograde venture: They're teaching a new generation how to draw and paint the elements of classical architecture—all those columns, arches and sculptures—with nothing more than pencils and paints on paper. No computers. Ever. — online.wsj.com

Suzanne Labarre of Fast Company uses the term "Lady Parts" in a review of the self-designed Shanghai studio by/for Taranta Creations. Liebchen correctly points out "When its vaginal, its a "design crime." But Philip Johnson gets to hold his little Johnson/model of the AT&T building on the cover of time magazine and everyone's fine with it? http://img.timeinc.net/time/magazine/archive/covers/1979/1101790108_400.jpg"