Rod Serling, creator of the 1950s television series "The Twilight Zone", defined science fiction as "the improbable made possible." The same might be said for the practice of architecture. After all, architects by trade conceive of spaces, places, and worlds that do not (yet) exist. Furthermore, the ability to make the improbable possible is held in especially high regard today and is oftentimes what defines an architectural practice as “innovative” in the first place. — CLOG
Contemporary architecture publication CLOG has released its seventh issue, SCI-FI. In the digital glow of the internet age, architectural discourse has become both bountiful and ephemeral, oftentimes muddling the lay of the land. In response, “CLOG slows things down. Each issue explores, from multiple viewpoints and through a variety of means, a single subject particularly relevant to architecture now. Succinctly, on paper, away from the distractions and imperatives of the screen.”
With its precise curation and focused content, CLOG’s SCI-FI examines the mutually-affecting relationship between architecture and science fiction in a variety of ventures. SCI-FI honors this “two-way artistic influence between architecture and science fiction” while provoking readers to consider future architectural aesthetics and the aesthetics of futurism. Previous issues have showcased themes surrounding BIG, Apple, and Brutalism. SCI-FI features over forty contributors from the architecture world and beyond.
More CLOG news: CLOG Exhibition “New Views: The Rendered Image in Architecture” at the Art Institute of Chicago
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