"Images which are conceived in this manner become models which don’t describe but underline resolute conceptual decisions on specific themes. They provide indications, create conditions to reflect upon, they exist as places of debate. Through his reflections the observer becomes the producer of content. Structure, form, space, the necessity to use the architectonic shape as an expressive one,  are secondary compared to the collected themes .

Montage is used as an instrument to take note on ideas, produce a narrative strategy through simple operations: multiplying signs, the exchange of scale, reversals, grafts, superimposition and erasure. Necessary operations to pose relative questions on a project that only at a later stage can be applied to architecture. 

The annotations are the first instrument through which we can put some order within the personal archive. The archive is out of an affection for signs, a fragment, a space, an image striking us more than another, we store it, therefore to images we combine texts, quotes taken from books which are an integral part.

Annotations aligned one next to the other form an interpretative Atlas of reality. Taking notes is simultaneously a process of the project and a practice I try to develop in a methodological key. It’s true that in this way I have the possibility to re-organize fragments of reality to build my own Atlas."