Complex Iconography and Contradictory Content in Architecture
is the latest addition to The Working Title Museum.
Preface to the online-perhaps-interactive edition:
Helena Augusta began "Pilgrimage, Reenactment and Tourism" at Leaving Obscurity Behind by calling Bethlehem and Jerusalem Jesus event cities, and related the history of her work there. Then she had Judas, the old Jew who told her where the True Cross was buried, present a little history. (Everyone calls him Judas because he constantly denies that that is his name.) Then she had Julian the Apostate present a history of his attempt to have the Temple of Jerusalem rebuilt. (Everyone still gets a kick out of how Helena is actually one of Julian's great grandmothers.) Then she had Ismael Raji Al-Faruqi, the last Palestinian Governor of Galilee, present a very large history, especially about the Dome of the Rock as marker of dream event.
As somewhat of a surprise ending, Helena had Catherine de Ricci reenact her stigmata and ring, and then had Louis I. Kahn reenact his burying of the New Testament in snow.
Mar 16, 06 10:28 am
"And here we have a reenactment of a cloud as water themepark building. Note the total tourism aspect. Call it pilgrimage all bottled up."
"What's that Judas? You're denying that that is called [i]reenactionary architecturism? Well, it even took Diller till early June 2003 to find out that Renfro interned at VSBA."
Mar 16, 06 1:14 pm ·
·
The kicky part about Helena being Julian's great grandmother is that the first wife of Julian's grandfather, Constantius I, is Julian's great grandmother Helena and then the second wife of Constantius I is Julian's grandmother Theodora. No wonder Julian apostatized.
"Hey Helena, you and Eutropia should co-author The Art of Imperial Wife and Daughter Swapping in Better Late Antiquity Than Never."
"Oh, didn't you know? We already kinda sorta did that when we interventionally inspired Thomas Mann's The Holy Sinner."
"Ah, then that explains why I saw "God's Bricklayer" reading that book while smoking in the Boy's Room."
Meanwhile, like a quaestio abstrusa, the gang is looking for all the instances where Koolhaas/OMA use the Ichnographia Campi Martii as floorpaper within the presentations of some of their projects. So far there's: Schiphol S, Extension to the MoMA and CCTV.
"Hey Piranesi, does this mean anything?"
"No."
"Not even like using existing iconography to evoke some new and original architectural ideas."
"I'm sorry, but did you just forget who you're talking to?"
Mar 17, 06 9:22 am ·
·
The last Palestinian Governor of Galilee and Koolhaas are the only people mentioned so far that I have ever met or seen in person. I discussed urban planning with the Governor for about ten minutes in 1978--I at least remember he said, "The three different areas should be autonomous."--and Koolhaas heard me discuss "content" with Venturi and Scott Brown 29 September 2001.
In the recent remake of the movie Alfie, the title character says something about making sure you at least have a dating partner during the holidays between Thanksgiving and New Years. Taking the daughter of the last Governor of Galilee on a date to see Saturday Night Fever (her choice) was for sure memorable, and the 1979 New Year's party at the Governor’s house (sans Governor) was a blast.
Hey, is that a blur in the Piranesi cammini?
Mar 19, 06 12:25 pm ·
·
While on the way to see the movie downtown, H. was upset because her father said Ralph Stevens called. Believe me, when a left a message with the Governor I told him I was Steve Lauf. Yes, Lauf rhymes with Ralph.
This is only the beginning. Besides, the first five chapters are already in the works.
1. Herrenchiemsee
2. From Augusta Treverorum to Constaninople and back again
3. Complex Ichnography and Contradictory Contentment
4. Piranesi takes a vacation
5. Learning from Lacunae
Mar 19, 06 3:28 pm ·
·
Gosh, my memory is slightly slipping. Corrections:
I discussed urban planning with the Governor for about ten minutes in 1977--
Taking the daughter of the last Governor of Galilee on a date to see Saturday Night Fever (her choice) was for sure memorable, and the 1978 New Year's party at the Governor’s house (sans Governor) was a blast.
Mar 19, 06 4:56 pm ·
·
It's strange to think that the double basilica of Augusta Treverorum (circa 326-8 AD) was the first Christian basilica of northern Europe, and for many years the largest Christian church of northern Europe as well. Little remains of the original double basilica, but two large churches are still there side by side today.
My theory as to why there were two joined basilicas, to begin with, is that they were designed to accommodate the distinct Latin and Greek populations of Augusta Treverorum. I also theorize the double basilica of Augusta Treverorum as the primogenitor of the Romanesque. Eutropia was the 'architect'.
While the Shroud of Turin is well known, the Holy Coat of Trier is much lesser known. Perhaps you know the movie The Robe, however. "The Trier tradition affirms that this relic was sent to that city by the Empress St. Helena." If this tradition is true, Helena was already dead when the Holy Coat was brought to Augusta Treverorum. It was Eutropia who executed the translation of the relic.
The head of Helena, empress and saint, is also in one the double churches at Trier.
Did Eutropia ultimately die at Augusta Treverorum? Albeit a Syrian, as a western Roman Empress herself, she certainly was no stranger to the city. It is at least known that Constantine was at Augusta Treverorum 27 September 328 and 29 December 328 while on a campaign on the Rhine. Coincidently, the end of 328 and the beginning of 329 is exactly when coins depicting Helena Augusta stopped being issued. It has long been my contention that the Helena coins ceased once Eutropia had died.
How come architecture historians have yet to make the very direct connection between Constantine's throne hall at Augusta Treverorum (306 AD) and the first Christian basilica of Rome (312 AD)? Perhaps it is only obvious to Eutropia, Helena and Constantine and those who know them as to where the "basilican" form of the Early Christian Architecture actually came from.
[J. B.,
Thanks for the quick response, and 'oh well' and 'that's OK'. Don't put me down for #24. I learned something (again)--if I want to write about something or 'pick' something I'll just do, without the 'frame' of editorship (which is what I felt all along). It seems that my asking [after first being asked and declining] to be guest editor, regardless of the answer, ended the discussion evenly.
Two news items from yesterday interest me, and I'll write about them later today within a thread I started well over a year ago. It's more fitting I write today too, because it's Quondam's 11th anniversary.
Steve
ps
What I meant by "Too bad this is a private email discussion" is that I would have preferred the discussion to have been within the archinect forum. I've always felt open forums suffer when......]
Ah! Romulus and Remus, real brothers metabolic. It’s said their father was a god and their mother a raped virgin. They say the father of Jesus was God and his mother an unraped virgin.
To: lt-antiq
Subject: Re: Bib. for Cyrillona’s Mariology?
Date: 2003.08.09 13:32
John,
Thank you for the Graef citation. If Graef does indeed confuse Immaculate Conception with Annunciation/Incarnation, then this is one more example where such a mistake is made within modern scholarship. I have become very intolerant of this mistake after finding it several times within contemporary architectural theory texts. I even see this presence of misinformation compounded because it implicates not only authors, but editors/review peerage as well. This mistake needs broad/public attention within the realm of scholarship simply to cease the perpetuation of its existence.
It is the Annunciation, as reported by Luke 1:26-38, where a series of events are clearly described.
1. (26) The angel Gabriel is sent by God to Nazareth. The presence of an angel already constitutes a miraculous event, a theophany.
2. (27) The angel is sent to a betrothed virgin named Mary. Here Scripture clearly states that Mary is a virgin and that she is promised in marriage to Joseph.
3. (28) In greeting, Gabriel exalts Mary; "the Lord is with thee" reiterates the theophany, thus Mary's being "full of grace" and "Blessed among women" is Divinely sanctioned.
4. (29) Mary is troubled by such a greeting, signifying her overall innocence in this situation.
5. (30) Gabriel assures Mary of her safety within the theophany taking place.
6. (31) Gabriel 'announces' to Mary that she will conceive and subsequently give birth to a boy, Jesus.
7. (32-33) Gabriel Highly exalts the nature of Mary's announced offspring, indeed to the point of infinity.
8. (34) Mary exclaims confusion at the announcement, while she herself proclaims her virginity.
9. (35) Gabriel tells Mary the Holy Spirit will come upon her, the Most High will overshadow her, and the Holy One to be born will be called the Son of God. Gabriel essentially announces the soon forthcoming of the Trinity, a complete theophany.
10. (36) Gabriel then announces the Precursor, John the Baptist.
11. (37) "for nothing shall be impossible with God."
12. (38) Mary's ultimate reply, "Behold the handmaid of the Lord; be it done to me according to thy word," is extremely important on two counts. First, it is at the moment of Mary's complicity that the Incarnation (the Word becoming flesh) occurs. (Note Gabriel efficiently departs as soon as his task is complete.) Second, without Mary's complicity, the Incarnation would have been the result of a rape, not at all unlike the sexual relationship between Mars (a divinity) and Rhea Silvia (a Vestal Virgin), another reported theophany which progenerated Rome.
After the Annunciation/Incarnation comes the Visitation, where John the Baptist, when he for the first time is in the presence of the Incarnation, takes a noticeable pre-natal leap.
The last time Jesus was at the Temple in Jerusalem he manifest a riotous disturbance of the wanton commercialism going on there. Within a week of that Jesus was labeled “King of the Jews” dead on a cross. They say half of that label was rediscovered sometime in the mid 16th century, buried behind a wall for safekeeping, within the Helena chapel of Santa Croce in Gerusalemme (Holy Cross in Jerusalem). It appears to be a true 1st century AD artifact.
Romulus's life ended in the thirty-eighth year of his reign, with a supernatural disappearance, if he was not slain by the Senate.
One day, when Romulus and all the people had gone to the Campus Martius, a sudden storm arose. The darkness became so great that the people fled in terror. When the storm was over, the Romans returned. To their surprise, however, Romulus had disappeared. The people sent for him, but none could find him. The people were amazed, and were all talking about his sudden disappearance, and wondering what could have become of their king, when one of the Senators stood up and called for silence.
After the Senator calmed the mass of people, he told the assembled Romans that he had seen Romulus being carried up into the heavens.
Julian the Apostate died in battle somewhere in Persia, and is no doubt buried in the footnotes.
Nov 21, 07 11:32 am ·
·
What if all myths and religions are based on truth? Could humanity even handle such a condition?
"It said so on the box!"
Nov 22, 07 11:57 am ·
·
"No. 5, the adjoining mansion, is La Louve (the She-Wolf), so named from the carving over the door, which represents Romulus and Remus, the founders of Rome, being suckled by their widl foster-mother. This house belonged to the Archers' Guild, and is surmounted by a gilded phoenix." Arthur Milton, Brussels in Seven Days (1935).
It was the Saturday after Thanksgiving 1999. The Inside Density colloquium was now over, and, after dinner atop the Atomium, Charlotte Geldof offered to take me around Brussels the next day. We started at the Cathedral where Charlotte took me down to the excavations under the church--she felt sure I'd be interested after hearing me talk about reenactment, inversion and pagan Rome the days prior. Then we went to the Grand' Place. (I was intrigued my the late Horta (non Art Nouveau) building inbetween). Charlotte left me standing in the middle of the Place as she went to try to get tickets to some exhibit (which we never made it to). So I stood there and admired the Hôtel de Ville, especially all the statues over the second story windows. There was this sudden three claps, and this loosely-formed group of children near to where I was immediately stood in formation and just began singing in unison. I then looked back and forth between the statues and the children, and it was like they were all singing.
Charlotte was taking too long so I started walking toward the strikingly ornamented Guild Houses along one the Place's edges, and there they were. Soon Charlotte found me and I said, "Guess who I found?" 'Who?" I nodded my head upward and she saw them too. She laughed, "You're crazy."
Nov 24, 07 11:23 am ·
·
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Complex Iconography and Contradictory Content in Architecture
is the latest addition to The Working Title Museum.
Preface to the online-perhaps-interactive edition:
Helena Augusta began "Pilgrimage, Reenactment and Tourism" at Leaving Obscurity Behind by calling Bethlehem and Jerusalem Jesus event cities, and related the history of her work there. Then she had Judas, the old Jew who told her where the True Cross was buried, present a little history. (Everyone calls him Judas because he constantly denies that that is his name.) Then she had Julian the Apostate present a history of his attempt to have the Temple of Jerusalem rebuilt. (Everyone still gets a kick out of how Helena is actually one of Julian's great grandmothers.) Then she had Ismael Raji Al-Faruqi, the last Palestinian Governor of Galilee, present a very large history, especially about the Dome of the Rock as marker of dream event.
As somewhat of a surprise ending, Helena had Catherine de Ricci reenact her stigmata and ring, and then had Louis I. Kahn reenact his burying of the New Testament in snow.
"And here we have a reenactment of a cloud as water themepark building. Note the total tourism aspect. Call it pilgrimage all bottled up."
"What's that Judas? You're denying that that is called [i]reenactionary architecturism? Well, it even took Diller till early June 2003 to find out that Renfro interned at VSBA."
The kicky part about Helena being Julian's great grandmother is that the first wife of Julian's grandfather, Constantius I, is Julian's great grandmother Helena and then the second wife of Constantius I is Julian's grandmother Theodora. No wonder Julian apostatized.
"Hey Helena, you and Eutropia should co-author The Art of Imperial Wife and Daughter Swapping in Better Late Antiquity Than Never."
"Oh, didn't you know? We already kinda sorta did that when we interventionally inspired Thomas Mann's The Holy Sinner."
"Ah, then that explains why I saw "God's Bricklayer" reading that book while smoking in the Boy's Room."
Meanwhile, like a quaestio abstrusa, the gang is looking for all the instances where Koolhaas/OMA use the Ichnographia Campi Martii as floorpaper within the presentations of some of their projects. So far there's: Schiphol S, Extension to the MoMA and CCTV.
"Hey Piranesi, does this mean anything?"
"No."
"Not even like using existing iconography to evoke some new and original architectural ideas."
"I'm sorry, but did you just forget who you're talking to?"
The last Palestinian Governor of Galilee and Koolhaas are the only people mentioned so far that I have ever met or seen in person. I discussed urban planning with the Governor for about ten minutes in 1978--I at least remember he said, "The three different areas should be autonomous."--and Koolhaas heard me discuss "content" with Venturi and Scott Brown 29 September 2001.
In the recent remake of the movie Alfie, the title character says something about making sure you at least have a dating partner during the holidays between Thanksgiving and New Years. Taking the daughter of the last Governor of Galilee on a date to see Saturday Night Fever (her choice) was for sure memorable, and the 1979 New Year's party at the Governor’s house (sans Governor) was a blast.
Hey, is that a blur in the Piranesi cammini?
While on the way to see the movie downtown, H. was upset because her father said Ralph Stevens called. Believe me, when a left a message with the Governor I told him I was Steve Lauf. Yes, Lauf rhymes with Ralph.
shhh
This is only the beginning. Besides, the first five chapters are already in the works.
1. Herrenchiemsee
2. From Augusta Treverorum to Constaninople and back again
3. Complex Ichnography and Contradictory Contentment
4. Piranesi takes a vacation
5. Learning from Lacunae
Gosh, my memory is slightly slipping. Corrections:
I discussed urban planning with the Governor for about ten minutes in 1977--
Taking the daughter of the last Governor of Galilee on a date to see Saturday Night Fever (her choice) was for sure memorable, and the 1978 New Year's party at the Governor’s house (sans Governor) was a blast.
It's strange to think that the double basilica of Augusta Treverorum (circa 326-8 AD) was the first Christian basilica of northern Europe, and for many years the largest Christian church of northern Europe as well. Little remains of the original double basilica, but two large churches are still there side by side today.
My theory as to why there were two joined basilicas, to begin with, is that they were designed to accommodate the distinct Latin and Greek populations of Augusta Treverorum. I also theorize the double basilica of Augusta Treverorum as the primogenitor of the Romanesque. Eutropia was the 'architect'.
While the Shroud of Turin is well known, the Holy Coat of Trier is much lesser known. Perhaps you know the movie The Robe, however. "The Trier tradition affirms that this relic was sent to that city by the Empress St. Helena." If this tradition is true, Helena was already dead when the Holy Coat was brought to Augusta Treverorum. It was Eutropia who executed the translation of the relic.
The head of Helena, empress and saint, is also in one the double churches at Trier.
Did Eutropia ultimately die at Augusta Treverorum? Albeit a Syrian, as a western Roman Empress herself, she certainly was no stranger to the city. It is at least known that Constantine was at Augusta Treverorum 27 September 328 and 29 December 328 while on a campaign on the Rhine. Coincidently, the end of 328 and the beginning of 329 is exactly when coins depicting Helena Augusta stopped being issued. It has long been my contention that the Helena coins ceased once Eutropia had died.
How come architecture historians have yet to make the very direct connection between Constantine's throne hall at Augusta Treverorum (306 AD) and the first Christian basilica of Rome (312 AD)? Perhaps it is only obvious to Eutropia, Helena and Constantine and those who know them as to where the "basilican" form of the Early Christian Architecture actually came from.
and that's just yesterday's posts.
It feels like early April seven years ago.
[J. B.,
Thanks for the quick response, and 'oh well' and 'that's OK'. Don't put me down for #24. I learned something (again)--if I want to write about something or 'pick' something I'll just do, without the 'frame' of editorship (which is what I felt all along). It seems that my asking [after first being asked and declining] to be guest editor, regardless of the answer, ended the discussion evenly.
Two news items from yesterday interest me, and I'll write about them later today within a thread I started well over a year ago. It's more fitting I write today too, because it's Quondam's 11th anniversary.
Steve
ps
What I meant by "Too bad this is a private email discussion" is that I would have preferred the discussion to have been within the archinect forum. I've always felt open forums suffer when......]
Lupercale Found
Digging into Jerusalem
...about two 8th century BC events.
Ah! Romulus and Remus, real brothers metabolic. It’s said their father was a god and their mother a raped virgin. They say the father of Jesus was God and his mother an unraped virgin.
To: lt-antiq
Subject: Re: Bib. for Cyrillona’s Mariology?
Date: 2003.08.09 13:32
John,
Thank you for the Graef citation. If Graef does indeed confuse Immaculate Conception with Annunciation/Incarnation, then this is one more example where such a mistake is made within modern scholarship. I have become very intolerant of this mistake after finding it several times within contemporary architectural theory texts. I even see this presence of misinformation compounded because it implicates not only authors, but editors/review peerage as well. This mistake needs broad/public attention within the realm of scholarship simply to cease the perpetuation of its existence.
It is the Annunciation, as reported by Luke 1:26-38, where a series of events are clearly described.
1. (26) The angel Gabriel is sent by God to Nazareth. The presence of an angel already constitutes a miraculous event, a theophany.
2. (27) The angel is sent to a betrothed virgin named Mary. Here Scripture clearly states that Mary is a virgin and that she is promised in marriage to Joseph.
3. (28) In greeting, Gabriel exalts Mary; "the Lord is with thee" reiterates the theophany, thus Mary's being "full of grace" and "Blessed among women" is Divinely sanctioned.
4. (29) Mary is troubled by such a greeting, signifying her overall innocence in this situation.
5. (30) Gabriel assures Mary of her safety within the theophany taking place.
6. (31) Gabriel 'announces' to Mary that she will conceive and subsequently give birth to a boy, Jesus.
7. (32-33) Gabriel Highly exalts the nature of Mary's announced offspring, indeed to the point of infinity.
8. (34) Mary exclaims confusion at the announcement, while she herself proclaims her virginity.
9. (35) Gabriel tells Mary the Holy Spirit will come upon her, the Most High will overshadow her, and the Holy One to be born will be called the Son of God. Gabriel essentially announces the soon forthcoming of the Trinity, a complete theophany.
10. (36) Gabriel then announces the Precursor, John the Baptist.
11. (37) "for nothing shall be impossible with God."
12. (38) Mary's ultimate reply, "Behold the handmaid of the Lord; be it done to me according to thy word," is extremely important on two counts. First, it is at the moment of Mary's complicity that the Incarnation (the Word becoming flesh) occurs. (Note Gabriel efficiently departs as soon as his task is complete.) Second, without Mary's complicity, the Incarnation would have been the result of a rape, not at all unlike the sexual relationship between Mars (a divinity) and Rhea Silvia (a Vestal Virgin), another reported theophany which progenerated Rome.
After the Annunciation/Incarnation comes the Visitation, where John the Baptist, when he for the first time is in the presence of the Incarnation, takes a noticeable pre-natal leap.
The last time Jesus was at the Temple in Jerusalem he manifest a riotous disturbance of the wanton commercialism going on there. Within a week of that Jesus was labeled “King of the Jews” dead on a cross. They say half of that label was rediscovered sometime in the mid 16th century, buried behind a wall for safekeeping, within the Helena chapel of Santa Croce in Gerusalemme (Holy Cross in Jerusalem). It appears to be a true 1st century AD artifact.
Romulus's life ended in the thirty-eighth year of his reign, with a supernatural disappearance, if he was not slain by the Senate.
One day, when Romulus and all the people had gone to the Campus Martius, a sudden storm arose. The darkness became so great that the people fled in terror. When the storm was over, the Romans returned. To their surprise, however, Romulus had disappeared. The people sent for him, but none could find him. The people were amazed, and were all talking about his sudden disappearance, and wondering what could have become of their king, when one of the Senators stood up and called for silence.
After the Senator calmed the mass of people, he told the assembled Romans that he had seen Romulus being carried up into the heavens.
Ascension of Jesus
Gabriel and Mohammad’s Ascension
Julian the Apostate died in battle somewhere in Persia, and is no doubt buried in the footnotes.
What if all myths and religions are based on truth? Could humanity even handle such a condition?
"It said so on the box!"
"No. 5, the adjoining mansion, is La Louve (the She-Wolf), so named from the carving over the door, which represents Romulus and Remus, the founders of Rome, being suckled by their widl foster-mother. This house belonged to the Archers' Guild, and is surmounted by a gilded phoenix."
Arthur Milton, Brussels in Seven Days (1935).
It was the Saturday after Thanksgiving 1999. The Inside Density colloquium was now over, and, after dinner atop the Atomium, Charlotte Geldof offered to take me around Brussels the next day. We started at the Cathedral where Charlotte took me down to the excavations under the church--she felt sure I'd be interested after hearing me talk about reenactment, inversion and pagan Rome the days prior. Then we went to the Grand' Place. (I was intrigued my the late Horta (non Art Nouveau) building inbetween). Charlotte left me standing in the middle of the Place as she went to try to get tickets to some exhibit (which we never made it to). So I stood there and admired the Hôtel de Ville, especially all the statues over the second story windows. There was this sudden three claps, and this loosely-formed group of children near to where I was immediately stood in formation and just began singing in unison. I then looked back and forth between the statues and the children, and it was like they were all singing.
Charlotte was taking too long so I started walking toward the strikingly ornamented Guild Houses along one the Place's edges, and there they were. Soon Charlotte found me and I said, "Guess who I found?" 'Who?" I nodded my head upward and she saw them too. She laughed, "You're crazy."
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