"I'm scooping water, the moon is in my hand; playing with flowers, my skirt is full of fragrance." It can express the romance of Dali's landscape.

"Blood water, the bright moon is in my hand; playing with flowers, my dress is full of fragrance. "Spring Mountain Bright Moon" by Yu Liangshi, a poet in the Tang Dynasty. This poem describes the joy of watching the moon on the mountain on a spring night. The feeling of being at ease is what we wanted to create in this project.

The hotel consists of two buildings. We created a sea between the two buildings on which the "moon" is suspended. We use architecture and space to create a traditional and innovative artistic conception of "the bright moon shines on the sea, and you and I share this moment in the distance".

"Moon Shadow Room" is the focus of hotel decoration, and it is also a space that reflects the hotel's characteristics and spirit. We hope that tourists who come here will not rush to other attractions, but can stay here to feel the nature and comfort.

In the design of the resort hotel, we pay attention to the shaping of the resort scene. When the space and the site reach a corresponding relationship, different spatial situations can be created. Just at the entrance of the hotel, starting from a dome, the spiral staircase extends to the distance, and the picturesque scene is very exciting.

A sloping walkway crosses the central water courtyard, connecting the two buildings.

The passengers were immersed in the water courtyard and slowly walked towards the full moon from the lower part to the upper part. At this time, the water garden, the moon and the people correspond to each other. The bright moon is held in the water courtyard, forming a landscape with tourists.

Inside "Full Moon" is the guest room, and "Full Moon" is the viewfinder from the guest room looking towards the courtyard.

You can read a book under the moon, or you can take a comfortable bath to wash away the fatigue of the journey.

Every opening and fenestration in the built space is an opportunity to reconnect with the natural landscape. According to the different landscape conditions of the site, we correspond to it with spaces with different degrees of openness. Let each space have the right atmosphere.

The higher the space, the higher the field of vision. Through the 270° floor-to-ceiling glass, Erhai Lake comes into view. The four seasons of Dali and the changes of day and night are the protagonists of the space.