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Between Two and Three Dimensions: Panelists Discuss the Relationship Between Architecture and Photographic Representation at the LA Photo Fair 2014

0818 by James Welling utilizes photo filters to create a distinct, abstract reading of the Glass House. Credit: James Welling 0696 by James Welling was taken at Phillip Johnson's Glass House. Credit: James Welling A photograph by Grant Mudford of Louis Kahn's Salk Institute, which the photographer described during the panel as a very difficult space to represent photographically. Credit: Grant Mudford Gordon Baldwin discussed works like this by the photographer Eugene Atget, who focused more on vernacular architecture than the monumental, such as with this image in which the Pantheon in Paris recedes into the foggy background. Credit: Eugene Atget via the Getty Mimi Zeiger discussed this image of Le Corbusier's Ville Stein-de-Monzie. Credit: Villa Stein-de-Monzie, 'Les Terrasses', Garches (Vaucresson) © FLC/ADAGP The REEF Building in downtown LA, where the panel took place, seen through Google Street View. Credit: Google Works like this, by the photographer Iwan Baan, were praised for taking the larger urban context into consideration. His work is included in Anderton's exhibit 'Sink or Swim: Design for a Sea Change' at the Annenberg Center for Photography. Credit: La Maddalena G8 - Stefano Boeri by Iwan Baan

Gordon Baldwin discussed works like this by the photographer Eugene Atget, who focused more on vernacular architecture than the monumental, such as with this image in which the Pantheon in Paris recedes into the foggy background. Credit: Eugene Atget via the Getty
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Gordon Baldwin discussed works like this by the photographer Eugene Atget, who focused more on vernacular architecture than the monumental, such as with this image in which the Pantheon in Paris recedes into the foggy background. Credit: Eugene Atget via the Getty