Finding the perfect balance between a dynamic building that presents a clear destination to visitors and a minimalist structure deferential to the Peak and its majestic views was critical to the design of the new Pikes Peak Summit House.

Predominately a one-story form seemingly carved from the southeast side of the Peak, the new Summit House offers unobstructed views to the east.  Reminiscent of the crags and rock formations found above the tree line, the design uses shade, shadows and fragmentation to coalesce into the Peak.  Clad in material similar to Pikes Peak granite, the modern hue seamlessly blends into the mountainside.  Viewed from below, it is one with the mountain, yet as one arrives at the Peak, the modest entry pavilion is a clear destination.

Upon approach to the summit, visitors take in the expansive and pristine views, just as Zebulon Pike saw and scientist Edwin James, as well as Native Americans before him, experienced over 200 years ago.  The only indication that this peak has been touched by man is the glass-enclosed pavilion capped with weathering steel emerging from grade.  Sited to frame the view of Mt. Rosa, the location from where Pike viewed the Peak in 1806, the pavilion’s lobby provides a sheltered area to view the surrounding landscape, while affording access to the main level of the Summit House below.  Accentuating the relationship between the two landforms, the 4 degree angle from Pikes Peak to Mt. Rosa is reflected in the downward tip of the lobby walls.  That same angle is mirrored in the upward slope of the roof acknowledging the expansive views to the east.  To the left and right, rooftop terraces become an extension of the summit, blending with the tundra and bringing visitors closer to the edge to experience 180 degrees of the same unobstructed and undisturbed views that James saw and Katharine Lee Bates beheld as she penned the lyrics to America the Beautiful.  An extended platform to the north provides optimal views of the ruins of the original 1873 Summit House and embraces the relationship with the cog.

Inside, visitors are taken aback by the boundless sky and perfectly framed views of Mt. Rosa.  Stairs to the main level appear to fold down out of the mountain as visitors descend to the main floor to access exhibits, dining, a gift shop and restrooms.  Warm, rustic colors fortified by the ceiling’s beetle kill pine uniquely tie the interior to the region.  Those arriving via cog are given the choice to explore the Peak, interpret the ruins, or enter the Summit House via the main level.  Providing access to these multiple destinations naturally disperses the crowds, resulting in a more enjoyable individual experience.

Captivating, but also functional, the building is sited to take advantage of the unique environmental conditions present on the top of Pikes Peak.  Nestled into the mountain, exposure to the harsh winds is minimized, while the mass of the building provides sheltered outdoor areas from which to enjoy the views.  The orientation of the building to the south takes full advantage of the enhanced solar gain at altitude, including daylight harvesting and the incorporation of photovoltaics to generate electricity.  In addition, the thermal mass of the building’s stone cladding helps capture and radiate heat generated by the sun to the interior of the building.  Other sustainable features include composting toilets and low flow fixtures to conserve water.

One of the many things that makes Pikes Peak so special is that it is America’s Mountain—the only fourteener that everyone, no matter age or fitness level, can experience.  As such, the design offers visitors the same pristine and untouched experience as those ascending other fourteeners while providing modern amenities and expanded interpretive opportunities, ultimately leaving visitors in awe and overwhelmingly satisfied with their experience.