In 1973, the Gujarat United School of Theology embarked on the construction of a modest library and cultural centre spanning two hundred and sixty square meters. Originally intended to house a specialized book collection and serve as a communal space for small gatherings, the project took an unexpected turn during its development. It was eventually repurposed to accommodate the Alliance Française, a move that would lead to the creation of a striking architectural statement.

Situated within the confines of a late nineteenth-century institution characterized by brick and stone accents, the Alliance Française at Ahmedabad stands as a testament to modernist design principles. Every element of its construction underwent meticulous refinement, resulting in a final blueprint that exudes an aura of permanence and finesse.

The building occupies a corner site, accessible via the main academic quadrangle, seamlessly blending with its historic surroundings. Its structural integrity is evident through exposed brick-bearing walls, meticulously reinforced to withstand seismic forces. Concrete beams, lintels, and fins are left exposed, offering a transparent glimpse into the underlying framework. Facing the sun, thick brick walls on the east, south, and west sides serve as a shield against harsh sunlight, while natural illumination filters in through north-facing skylights, strategically positioned high in the ceilings.

The floor plan, comprising nine interlocked modules, facilitates a dynamic flow of space, punctuated by double-height volumes and pivoting square doors. Glass windows set within brick-lined walls allow for ample daylight penetration, while modular toilets seamlessly integrate into the structure's rear facade. A spiral cast iron stairway ascends to a bridge connecting two mezzanine reading areas, one of which extends into the main space as a balcony, fostering an interconnected layout conducive to social interaction.

Central to the design is an exposed concrete column, situated within the main space, which imparts a sense of movement as one navigates through the structure. Its seemingly static presence juxtaposes with the dynamic interplay of surrounding walls, creating an illusion of fluidity and motion. The brick walls, reminiscent of the architectural vernacular of the adjacent Theological College of Gujarat, contribute to the creation of secluded outdoor meeting spaces, harmonizing with the existing campus fabric.

In the Alliance Française at Ahmedabad, echoes of Prof. Christopher Benninger's earlier architectural endeavours resonate, showcasing his penchant for bold sculptural forms and unwavering commitment to contextual sensitivity. The use of natural materials not only aligns with Benninger's philosophical ethos but also pays homage to the historical context of the site.