Architect of the original building: František Lýdie Gahura          

Architect of the renovation: Petr Všetečka / TRANSAT architekti

Collaborators: Karel Menšík, Alena Všetečková, Petr Daniel                        

Project location: Náměstí T. G. Masaryka 2570, Zlín, Czech Republic           

Project year: 2012 – 2016

Completion year: 2016 – 2019

Built-up area: 680 m2

Usable floor area: 1592m2

Enclosed volume:  9200 m3

Investor: The City of Zlín (monument renewal) in cooperation with the Zlín region (spaces inside the Gymnasium building) and theTomáš Baťa Foundation (the model of the Junkers aircraft)

Photo credits: BoysPlayNice, www.boysplaynice.com

The building by František Lýdie Gahura, opened one year after the death of Tomáš Baťa, is the most valuable monument of the Zlín constructivism and the highlight of the so-called “Baťa architecture” phenomenon. At the first glance the idea for the monument is simple: an empty prism placed on a visible spot above the town, on the central axis of the ascending park space, made up of several modules of the Zlín 6.15 x 6.15 m frameand clad only with cathedral glass. Inside, only the ill-fated Junkers F 13 aircraft in which Tomáš Baťa died in 1932.

Gahura reduced the monument to three basic materials of Zlín architecture – concrete, steel and glass that were supposed to, together with the building’s composition, express the unique attributes of Tomáš Baťa: generosity, clarity, aspiration, optimism, simplicity, honesty and truth. The execution of the standardised frame as a single column hall and a three-aisled space at the same time, variable height of the space and dispersed natural light brought the stripped-down Zlín constructivism closer to sacral buildings of the ancient and medieval times, without using any historical shapes. This was enhanced by the consistent vertical concept of the building. Gahura explained it by the fact that the purpose of the building is ideological and with this verticality, weightlessness, and simplicity of the one-directional sectioning, the monument expresses specific traits of Baťa’s character.  The monument was built without any technical or sanitary facilities – it was actually a greenhouse with no possibilities for heating, water supply, or toilets. 

In the 50’s it was rebuilt to be a concert hall and gallery and with it the monument lost its architectural qualities. The name of Tomáš Baťa was erased from memory.

The comprehensive renewal of the original state of the monument, in preparation for 18 years, aimed again toward simplicity and reduction of all dispensable equipment that is usual in today’s buildings. All of the operational, technical and service elements and spaces are located separately from the monument. The core meaning of the building consists in the visitor’s experience of the space and light, in slowing down and contemplation. Due to the fact that the structure is an internationally acclaimed monument of modern architecture, the project had high aspirations in terms of quality of the renewal. For many of the building elements a restoration approach was chosen, common with the most valued historic buildings. 

Given the monument’s place in the structure of Zlín, the building is also a light-landmark of the town. The possibility of using the building for reverential and social events or exhibitions will always be limited with regard to the ideological and architectural essence of the monument and the austere conditions of its interior environment. The dominant of the interior is a new model of the Junkers F 13 aircraft.