The folly, the haha, the grotto- these are innovations of the English picturesque garden landscapes of the nineteenth century. Each of these innovations served
a purpose-- aesthetics. The goal was to enhance the picturesque landscape with their placement. Such follies attempted to take on some faux historical identity, often
Roman ruins or remains of a civilization long since gone.

This folly looks through time in the opposite direction --to the future-- yet seeks the same goal of creating an intriguing overall composition. Remnant is predictive
shadow of an alternative future reality. The structure is a functional piece of a future New York City modular housing development with an additive model. It is a future
manifestation of the spirit that gave birth to Duisburg’s Landschaftspark and a provocative assertion that the individual landscape has become a playful Remnant, an
afterthought. Something left over from a dystopian future civilization where housing is reduced to cargo containers.

At a distance the warm palette of colors and jumbled cuboids sit like children’s building blocks; blocks that can be rearranged at will. On approach, the scope of the structure comes into perspective. A path leads pedestrians onward, inviting them to explore a structure with greater complexity than was appreciated from a distance. The impression of blocks yields to the vision of an undulating metal river whose course violates even the horizon as it plunges into and out of the ground. The
structure’s true size finally reveals itself as the walkway leads directly beside the hovering mass. In this view, Remnant’s dimensionality can be taken in-- the structure
not only rises and falls, but twists laterally through a space that demands exploration. In departing the path to explore this interface, pedestrians return finally to the vision of blocks. Only now it is they, not the blocks, that are rearranged.

The sculpture’s constituent parts--large shipping containers-- beckon to New York’s commercial heritage. They form a housing amalgam that, much like the city it
arose from, aggregates over time to meet the needs of a growing population. The flow from one container to another is designed to approximate the flow of water gave
life to the city and surrounds the site where Remnant will stand.

A final theme of this project is experimentation about non-traditional uses of shipping containers in the built environment. Ralph Steenblik and Rachel Robinson have
experimented with modular housing projects as well as various designs involving shipping containers. Ralph is currently working on a shipping container home design
for a client. At the close of our exhibition, the containers will be recycled for use in construction of this home.

When the team first set out to design Folly 2015 they already had a starting point from a previous client, but a folly has different constraints than other project needs.
Rachel and Ralph went to work in a collaborative creation process to create a structure that produces an impactful experience for those who visit the sculpture garden. Working, structural engineer and architect, is a powerful thing. Both are able to contribute in fundamental ways. The process is a special dialog from which
comes a refined piece to be admired.