“Warownia” is the fourth and  February (2013) part of the collection called “XII”, entirely designed by Karina Wiciak.
The “Warownia” is not only a restaurant and a club, but also a magical place, where the décor imparts an intriguing, slightly fairy-tale atmosphere.
Usually, each interior has its history, but his place came into existence in a special manner...
In the “Warownia”, one can see primarily white, shiny walls, among which a beautiful and young girls lives. Shutting herself off from the truth of the external world, she resembles a princess locked away in a tower.
Yet life is no bed of roses, and any artificial, idealized world which we, people (as well as this princess), construct for ourselves never stands the test of time.
Therefore, the white, shiny walls which symbolize impeccably clean appearances, ultimately break off dirty, cracked walls, showing the other, dark side of life. This is when the bright, clean interior turns into a dirty, dark dungeon.
What happens to the "princess” afterwards? Everyone can invent their own story.
Yet, this is not a fairy tale which should be told to the customers of the restaurant, but rather a short (albeit made-up) history of the interior, which should be treated with a slight pinch of salt.

The “Warownia” (which in Polish means “stronghold”) design includes white table “Baszta” (which in Polish means “tower”), a chandelier “Luna”, a glass hocker and chair “Tron”  (which in Polish means “throne”).

About the collection “XII”
The collection "XII" will consist of 12 thematic interior designs, together with furniture and fittings, which in each part will be interconnected, not only in terms of style, but also by name. Each subsequent design will be created within one month, and the entire collection will take one year to create.
Here, visualization is to constitute more than a design, which is thrown away after implementation of the interior design, but mainly an image, which has a deeper meaning and can function individually, for instance as a print on a wall, or even a CD cover.
These will not be interiors made to a specific order, but designs based on the author’s fantasy and his fascinations of various sorts. It will be possible to order a specific interior design in the form of adaptation of the selected part of the collection, on the basis of exclusivity.
The author’s assumption was not to create trite, fashionable interiors, but non-standard places, full of symbols and metaphors, at the borderline between architecture and scenography.
Due to their nature, these are mostly commercial interiors, intended for use and reception by a larger group of people. Yet, it was not supposed to be an art gallery, in which art is merely watched, but places in which it could be put into use and to do virtually everything – depending on the purpose and function of the premises.
The author of the collection did not strive to artificially ascribe ideology to random ideas, but rather to make the entire design readable and coherent, and at the same time to design every item specifically for the given interior.