This is a study of a house in its true context, instead of its idealized context—real nature instead of romantic nature.

The house is a long bar floating over a steep mountain foothill.  A solid, concrete end of the bar containing private and service spaces is buried in the hillside.  At the other end, a cantilevered glass living space dissolves above a hazy valley below.  We brought light into the buried portion of the house with scoops into the roof and hillside.  A detached cube further up the hillside has a garage and a space for visiting kids or guests.

And in answer to the contextual challenge we decided to tackle—the natural and man-made threat of destruction by wildfire—we surrounded our structures with a protective, second skin.  Dark gray ceramic tile, which is naturally fire resistant, is layered over perlite insulation and cement board.  This assembly acts as a sort of fireman's coat around the primary structure.  It also presents an opportunity for a liminal space between the second and primary skins which can serve as a covered deck that could open the house to the outdoors on temperate days, and shade the living spaces from direct sun.  A series of sliding cement board panels can be closed in the event of evacuation during a wildfire, leaving the contents of the house protected.

Our renders show the house in its real context; its true nature.  In one, a wildfire is visible in the distance.  In others, smog and smoke surround the house and obscure the commanding view.  We introduced a palette of blue-green, black and white to stand out from the contextual pinks and tans.