« back to Article

Editor's Picks #553
Morehshin Allahyari, ماه طلعت Moon-faced, installation view at “What Models Make Worlds: Critical Imaginaries of A.I.” exhibition, Ford Foundation Gallery (2023) Courtesy of the artist and Ford Foundation Gallery. Photo: Sebastian Bach Morehshin Allahyari, She Who Sees The Unknown- The Laughing Snake, 3D printed sculpture, co-commissioned by The Whitney Museum of American Art, Liverpool Biennial, and FACT, courtesy of the artist, 2019 Khaliya- Future Domesticities. Image credit- Miriam Hillawi Abraham and Areej Al Musalhi Abyssinian Cyber Vernaculus. A series of Virtual Reality experiences and visual narratives designed to contest the active exclusion of Black and Brown formalisms and knowledge from the architectural canon. Miriam Hillawi Abraham Image credit; James Brittain Image; Wikimedia Commons user Ken Lund (CC BY-SA 2.0) Rendering of the proposed Thompson Center revamp (2022). Image courtesy JAHN Architecture, Inc. Rendering courtesy of Türkiye Design Council The Architecture magazine, published 1902 Author D. H. Burnham & co via Wikimedia Commons via Jesse Gates via Norman Fellows Dreadlock Series Team, Ian Danner (textile designer and fabricator), Hiranshi Patel (CAD designer and fabricator), Aysan Jafarzadeh (graphic designer and code developer). Credit; Felecia Davis. All Rights Reserved rounded or filleted corner windows window frames via boispotus (photo by hikarudon12) via CLUI 10753 Palms Boulevard, Los Angeles, 1965 Coast Realty Archive photo via CLUI

Morehshin Allahyari, She Who Sees The Unknown- The Laughing Snake, 3D printed sculpture, co-commissioned by The Whitney Museum of American Art, Liverpool Biennial, and FACT, courtesy of the artist, 2019
0

Morehshin Allahyari, She Who Sees The Unknown- The Laughing Snake, 3D printed sculpture, co-commissioned by The Whitney Museum of American Art, Liverpool Biennial, and FACT, courtesy of the artist, 2019