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‘Drawing Ambience: Alvin Boyarsky and the Architectural Association’
Coop Himmelblau, “Super Spaces,” c. 1969. Color photo-offset lithograph (poster), 27 1/2 x 37 5/8”. Collection of the Alvin Boyarsky Archive. Zaha Hadid (British, b. Iraq 1950), “The World (89 Degrees),” 1984. Arial view; compilation of projects to date. Print with hand-applied acrylic and wash on paper, 27 1/2 x 22 5/8”. Collection of the Alvin Boyarsky Archive. Courtesy of Zaha Hadid Architects. Mary Miss, study for “Untitled, Bedford Square, London,” 1987. Technical pen and ink and graphite on vellum paper. Sheet: 18 11/16 x 24”. Collection of the Alvin Boyarsky Archive. Bernard Tschumi, “#4 K Series,” 1985. Study for “La Case Vide: La Villette,” Folio VIII, 1985. Photostat with hand-applied enamel paint, 16 15/16 x 17”. Collection of the Alvin Boyarsky Archive. Alex Wall, Office for Metropolitan Architecture (OMA), “The Pleasure of Architecture,” 1983. Poster based on competition drawings for Parc de la Villette, Paris, 1982–83. Color screen print on paper, 30 11/16 x 20 3/16”. Collection of the Alvin Boyarsky Archive. © OMA.

Mary Miss, study for “Untitled, Bedford Square, London,” 1987. Technical pen and ink and graphite on vellum paper. Sheet: 18 11/16 x 24”. Collection of the Alvin Boyarsky Archive.
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Mary Miss, study for “Untitled, Bedford Square, London,” 1987. Technical pen and ink and graphite on vellum paper. Sheet: 18 11/16 x 24”. Collection of the Alvin Boyarsky Archive.