There is a seductive simplicity to the design and articulation of the new “Persian Paradise” that is a delightful and profound pavilion.  Seductive, not just because the materials are simple brick, delicate wooden lattices, glass and glazed floor tiles, but also because in fact the design is not simple. Rather, it is complex overlay of spiraling and then inverted geometries, creating a gravitational center of contemplation based on continuous movement and flow.  A center that pulls the visitor inwards and into the space of the ordered geometry of a Persian “four-garden”, only to cast all movement back outward and upward to the ascending levels of the pavilion.