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Zumthor describes the wing as “a concrete sculpture,” with floors, walls and ceilings of exposed concrete. There will be bronze surrounds on the window and door openings throughout the building. When I visited Haldenstein, he and his colleagues were weighing final choices for the color palette of the walls at the base of the new wing, inside the various legs. “Lively, not dark colors, to give identity to different spaces,” he said. “And then you come up into this world of concrete.” — The New York Times
Ahead of next year’s anticipated completion, Peter Zumthor says his sculptural new David Geffen Galleries at LACMA will be bereft of the most recognizable traces of his Pritzker-winning design signature — a claim the museum's director Michael Govan then refuted. The man who once said... View full entry
Actually, the reason we curate the shows ourselves is not because we want to control how people think, but quite the opposite. I don’t want to be too defensive. I’m not a moralist. If I would to try to control everything, I would have chosen the wrong job. — The New York Times
Back in May, Hawthorne met with Jacques Herzog at the opening of the Venice Biennale to discuss the upcoming exhibition at the Royal Academy of Arts in London as well as several prevailing industry trends that have impacted his firm’s size and projects in the United States and... View full entry
What struck me when I went back to reread the book is how deliberately it works to collapse the distance, and therefore the distinction, between enthusiasm and skepticism, and ultimately between documentation and critique. Above all, “Learning from Las Vegas” argues for a curious and open-minded anti-utopianism, for understanding cities as they are rather than how planners wish they might be—and then using that knowledge, systematically and patiently won, as the basis for new architecture. — The New Yorker
Yale’s new visiting critic Christopher Hawthorne considers the lasting inspirational qualities and history of Steven Izenour, Denise Scott Brown, and Robert Venturi's seminal 1972 text, whose origins can be traced to a studio the young newlyweds taught in New Haven in the fall of 1968. Hawthrone... View full entry
Who gets to be remembered in a city, and why? That will be one of the questions on the dais when artist Catherine Opie joins current and former LA Times architecture critics Christopher Hawthorne and Carolina A. Miranda for a conversation on the topic at The Broad Museum in Los Angeles... View full entry
The rude stop-start of the pandemic economy has meant that scads of new marquee developments—new infrastructure, new performance venues, new housing, new museums, new everything—are now hurtling toward completion almost simultaneously. Five days spent crisscrossing from the hills to the beach and back, occasionally by car but also by bus, by train, and, yes, by bike, revealed a city seized by startling, epochal changes. For Los Angeles, it has been a long time coming. — Ian Volner
The city is starting to ramp up for a development spree spurred on by attendant social and environmental issues that will fundamentally change the urban landscape of the city in a building boom which may also herald the end of Christopher Hawthorne’s “Third Los Angeles.” Recently... View full entry
No other city has understood its connection to mobility the way Los Angeles has. There’s a longstanding view that the city is most legible through motion. You read it by moving through it. — Architectural Record
Christopher Hawthorne, LA Mayor Garcetti's architecture czar, and previous LA Times architecture critic categorize the city's problems into two groups. One is housing, housing, and housing. The other is housing, mobility, and equity.In the interview, these challenges are explained and some... View full entry
To improve and explore housing solutions in the city of Los Angeles, Mayor Eric Garcetti and the Chief Design Officer for the City of Los Angeles, Christopher Hawthorne, organized the "Low-Rise: Housing Ideas for Los Angeles." While the design challenge is "not a competition" in the traditional... View full entry
More than a dozen designs for accessory dwelling units, known as ADUs, will be offered through the city’s ADU Standard Plan Program [...]. The small-scale, stand-alone residences are generally tucked into properties zoned for single-family homes. The idea, says the city’s chief design officer (and former Times architecture critic), Christopher Hawthorne, is to take a weeks-long permitting process and “turn it into an approval that is over-the counter.” — Los Angeles Times
Notoriously plagued by a shortage of housing stock, Los Angeles has launched a new initiative that aims to drastically shorten the approval process — and promote good design — with preapproved accessory dwelling unit (ADU) plans. The ADU Standard Plan Program will start out with... View full entry
The idea of the “both-and” suggested a new pluralism, and maybe a new tolerance, in architecture. But the phrase turned out to have its limits. To the extent that Venturi was making an argument in favor of a kind of big-tent populism in architecture, it was a space for new styles instead of new voices, new forms rather than new people. In fact, tucked inside Complexity and Contradiction is an argument for a renewed insularity in the profession [...]. — The Atlantic
Christoper Hawthorne, former LA Times architecture critic and now Design Officer for the City of Los Angeles, dissects Robert Venturi's 1966 book, Complexity and Contradiction in Architecture (which famously scoffs at the Miessian classical Modernism with the "less is a bore" tagline), and argues... View full entry
After 14 years as the Los Angeles Times' resident architecture critic, Christopher Hawthorne is moving on to become chief design officer for the city of Los Angeles. Announced this morning, Hawthorne explained that "beginning next month, [he'll] be working in the mayor's office to raise the... View full entry
Why focus on Wright, American architecture’s equivalent of Abraham Lincoln, the giant who casts a shadow over his field big enough to blot out smaller and underrepresented figures?
[...] Because the architect’s brilliant if forbidding Southern California houses, the most important of which were designed in a burst of creative energy during the first few months of 1923, remain mysterious, their meaning and inspiration as opaque as their heavy, richly patterned concrete-block facades.
— latimes.com
Christopher Hawthorne's documentary, “That Far Corner: Frank Lloyd Wright in Los Angeles”, focuses on aspects of the infamous architect's work which remain enigmatic. Filming inside eight Wright buildings, the project interviews around 20 people to present new insights around these... View full entry
If no one in 2018 would argue, as a young writer named David Brodsly did in 1981, that the "L.A. freeway is the cathedral of its time and place," or that it's the spot where Angelenos "spend the two calmest and most rewarding hours of their daily lives," as British architectural historian Reyner Banham put it with almost laughable enthusiasm a decade earlier, there's no doubt that both the practical and metaphorical meanings of the freeway continue to preoccupy Southern Californians. — Los Angeles Times
Los Angeles Times architecture critic Christopher Hawthorne reflects on Southern California's ongoing love-hate relationship with its freeways. View full entry
In that spirit I set a challenge for myself: Could I come up not just with one but with 25 buildings that might have deserved the award this year? It took me a few days — and I was helped by some terrific suggestions from architects, critics and historians on Twitter and elsewhere online — but in the end finding 25 wasn't that difficult. — LA Times
LA Times journalist Christopher Hawthorne has penned, or passionately typed, an inquiry into the fact that this year's 25-Year-Award was awarded to—no one. In the article, Hawthorne walks us through the importance and aim of such an award and how to him, there are more than a few projects that... View full entry
The slabs in front of me seemed at once the most and least architectural objects I’d ever seen. They were banal and startling, full and empty of meaning. Here were the techniques of Land Art, medieval construction, marketing and promotion, architectural exhibition and the new nativism rolled uncomfortably if somehow inevitably into one. — Los Angeles Times
LA Times architecture critic Christopher Hawthorne takes a trip down to the U.S.-Mexican border in San Diego to attempt the challenge of critiquing Trump's border wall prototypes, "alternating bands of substance and absence, aspiration and impossibility". Image: U.S. Customs and Border Protection. View full entry
So what does the taste for Hogwarts-style dormitories say about the Yale or the USC of 2017? It says that the primary job of residential architecture on campus is to provide a sense of consistency and familiarity for donors and incoming students alike — to soften the edges of the college experience. — Los Angeles Times
Los Angeles Times architecture critic Christopher Hawthorne looks back at 2017's resurgence of Neo Gothic and Neo-Gothic-ish college architecture and compares the newly completed USC Village and Yale residential complexes with architectural references of the manifestation of nostalgic Anglophilia... View full entry