I’m in a position where I know what future I see for myself, but I’m not sure if training in Architecture is the best way to achieve it; if anyone has had a similar route or background and could provide input I’d be greatly appreciative.
I graduated last year with a BFA from UBC, and am specifically looking to work in designing the sets and scenography for high fashion runways and spaces. I understand that this sounds rather niche, but there are a number of production companies (mostly based out of Paris) that specialise in this, e.g. Bureau Betak, Villa Eugénie.
A quick look through their LinkedIn pages revealed that roughly 50% of these companies’ creative staff hold M.Arch’s, and the remainder have masters in interior design, interior ‘architecture,’ and scenography. After receiving a BFA and humbly realising the lack of direct opportunities the credential affords, I’m hesitant to pursue more arts education if it won’t have the employment outcome I’m looking for. Whilst I realise that an M.Arch doesn’t automatically guarantee better opportunities, I imagine my options may be broader should the set design goal not pan out. Feel free to correct me if I’m wrong.
In addition, I’d prefer to study in Europe, where I’d ideally be working post-grad. I realise as I only have a BFA that this cuts down the M.Arch options to nil, which is where my main question comes in.
Would it be more worthwhile to remain at UBC for 3 years to receive the M.Arch, then relocate to Europe? Or is it best to take a related Arts/unaccredited masters in Europe and establish connections and experience there early?
The below are European programs I’m considering:
- ELISAVA - Masters in Ephemeral Architecture and Temporary Spaces
- ELISAVA - Masters in Interior Design
- IAAC - Masters in Advanced Architecture
- IED - Masters in Interior Design
- UAL - MA Interior and Spatial Design
Thank you in advance for any thoughts or advice you can provide.
bowling_ball
Oct 23, 23 11:09 pm
I know a few set designers in North America (sorry can't help with Europe); two have M.Arch, while one doesn't. The one without the advanced degree has been MUCH more successful. Like a lot of things that don't actually require a specific education, your career path and on-the-job training likely mean much more to your early success. Like I said, I don't know Europe but if you were in NA, I'd say absolutely do not do an M.Arch unless 1) it's free, and 2) you want to do the M.Arch anyway. Two or four more years in school, possibly taking on debt, and not working? Not my idea of a good idea.
Chad Miller
Oct 24, 23 10:36 am
My experience is in the US and is a bit old so keep that in mind.
Typically for set design you get a degree in theater set design. I did work study in the scene shop for five years while in college and set design for a few years during the 2008 recession. We built and designed sets for plays. The scenic director had a masters degree in theater and set design. The scenic director was in charge of designing and building the sets.
I loved designing and building sets. I seriously considered transitioning to that field. Unfortunately the field of set design and scenic director is are very competitive fields. You need special education and experience in order to get work and the pay is far less than architecture.
Hi all,
I’m in a position where I know what future I see for myself, but I’m not sure if training in Architecture is the best way to achieve it; if anyone has had a similar route or background and could provide input I’d be greatly appreciative.
I graduated last year with a BFA from UBC, and am specifically looking to work in designing the sets and scenography for high fashion runways and spaces. I understand that this sounds rather niche, but there are a number of production companies (mostly based out of Paris) that specialise in this, e.g. Bureau Betak, Villa Eugénie.
A quick look through their LinkedIn pages revealed that roughly 50% of these companies’ creative staff hold M.Arch’s, and the remainder have masters in interior design, interior ‘architecture,’ and scenography. After receiving a BFA and humbly realising the lack of direct opportunities the credential affords, I’m hesitant to pursue more arts education if it won’t have the employment outcome I’m looking for. Whilst I realise that an M.Arch doesn’t automatically guarantee better opportunities, I imagine my options may be broader should the set design goal not pan out. Feel free to correct me if I’m wrong.
In addition, I’d prefer to study in Europe, where I’d ideally be working post-grad. I realise as I only have a BFA that this cuts down the M.Arch options to nil, which is where my main question comes in.
Would it be more worthwhile to remain at UBC for 3 years to receive the M.Arch, then relocate to Europe? Or is it best to take a related Arts/unaccredited masters in Europe and establish connections and experience there early?
The below are European programs I’m considering:
- ELISAVA - Masters in Ephemeral Architecture and Temporary Spaces
- ELISAVA - Masters in Interior Design
- IAAC - Masters in Advanced Architecture
- IED - Masters in Interior Design
- UAL - MA Interior and Spatial Design
Thank you in advance for any thoughts or advice you can provide.
I know a few set designers in North America (sorry can't help with Europe); two have M.Arch, while one doesn't. The one without the advanced degree has been MUCH more successful. Like a lot of things that don't actually require a specific education, your career path and on-the-job training likely mean much more to your early success. Like I said, I don't know Europe but if you were in NA, I'd say absolutely do not do an M.Arch unless 1) it's free, and 2) you want to do the M.Arch anyway. Two or four more years in school, possibly taking on debt, and not working? Not my idea of a good idea.
My experience is in the US and is a bit old so keep that in mind.
Typically for set design you get a degree in theater set design. I did work study in the scene shop for five years while in college and set design for a few years during the 2008 recession. We built and designed sets for plays. The scenic director had a masters degree in theater and set design. The scenic director was in charge of designing and building the sets.
I loved designing and building sets. I seriously considered transitioning to that field. Unfortunately the field of set design and scenic director is are very competitive fields. You need special education and experience in order to get work and the pay is far less than architecture.
Good luck!