Archinect - News

Is far-right ideology twisting the concept of 'heritage' in German architecture?

2018-10-06T14:02:00-04:00

Krier himself may not be fascist. Nor are most of the people involved in reconstructing the Garrison church or the new Old Town. But the defence of the political neutrality of architecture is wearing thin.

In 1991 Max Klaar, a retired German lieutenant-colonel, presented the municipality of Potsdam with a replica of a famous carillon, which from 1797 to 1945 had played themes by Bach and Mozart (Papageno’s Ein Mädchen oder Weibchen from The Magic Flute) from the tower of the city’s Garrison church. Both the tower and bells had been wrecked in an air raid – the ruins finally being removed by the East German government in 1968. The carillon, paid for by private donors, was a step in the hoped-for reconstruction of the church.

How very charming, you might think, except that Klaar had an agenda: he was a Nazi apologist. If you look on the internet (but please don’t), you will find him, for example, endorsing the thoroughly debunked lie that General Eisenhower had a million German prisoners of war killed in death camps."

According to Stephan Trüby, a professor of architecture at the University of Stuttgart, the Garrison church plan is an example of what he claims is now a disturbing patter...

Editor's Picks #317

2013-05-28T19:03:00-04:00

In the latest edition of Working out of the Box: Archinect interviewed Larraine Henning who is currently seeking funding for A Practical Guide to Squatting on Indiegogo. @bawshaw commented "@LandMass - agreed. although the thesis is interesting, this is not out of the box in terms of a career"...Yet Connely Farr disagreed "@ LandMass - yep. you sound like an ass".

In the latest edition of Working out of the Box: Archinect interviewed Larraine Henning who is currently seeking funding for A Practical Guide to Squatting on Indiegogo. Buy a copy of the book “A Practical Guide to Squatting”, and help support independent art and promote the squatting movement! During the interview, she reflected "I think the most valuable thing architecture school bestowed upon me was tolerance and persistence...School taught me to bear conviction and purpose with whatever project I take on, to be earnest and to take judgement in stride"...

@bawshaw commented "@LandMass - agreed. although the thesis is interesting, this is not out of the box in terms of a career. half of my graduating class ended up taking similar paths; more as a product of the recession than anything else. these paths may be alternative to the modern career, but not to architecture specifically. i do applaud her for doing what she believes in".

Yet Connely Farr disagreed "@ LandMass - yep. ...

Hitler's Classical Architect

2013-05-24T16:43:00-04:00

The unbending axis of architectural apologetics made for Speer is a double one...This defense, of course, is exculpatory only if it fails to make any distinction within the field of this expression or to consider any integral relationship between form and function. The more outré defense of Speer insists that he is not simply tarred with modernism’s anti-classical brush but that he was an excellent architect, full stop.

In the June 10-17, 2013 edition of The Nation, Michael Sorkin asks Why is Léon Krier defending anew the work of the Third Reich’s master builder?

Editor's Picks #314

2013-05-07T13:14:00-04:00

Over at the LA Times, Christopher Hawthorne reported on LACMA Director Michael Govan’s plan’s for $650-million new building by Swiss architect Peter Zumthor...Eric Chavkin commented "New construction has always been fundraising tail that wags the museum dog. Big names to draw bigger money...Now that AMPAS is leveraging it's Oscar prestige to be a part of LACMA, a new name to entice donor dollars is Zumthor, a name that means absolutely nothing to most.

News
Michael Z Wise reviewed the newest edition of Albert Speer, Architecture by Léon Krier for the Wall Street Journal. Mr. Wise concluded his review "Though he is again bemoaning a contemporary inability to regard classicism in a detached manner, it is Léon Krier who is in a delirious thrall to a malevolent aesthetic".

Will Galloway was surprised "wow, i didn't need another reason to dislike krier, but this one certainly seems more than enough to set aside any other complaint about the guy and never revisit them. its amazing that someone could hate modernism so much that even hitler's vision for the world seems palatable to him. nasty". For his part Steven Ward
argued "I'd rather see the swastika redeemed for its original associations (http://en.wikipedia.org/wiki/Swastika) than see any redemption of Speer's work. It's not that the style(s) from which he borrowed were bad so much as his intentional bombastic over-scaling of everything. These buildings were meant to communicat...

Hitler's Words Into Stone. Can architecture itself be fascist?

2013-04-28T00:06:00-04:00

Rather elegant," intoned the white-haired figure at the podium. He was speaking of Adolf Hitler's Reich Chancellery, designed in 1938 by Albert Speer. Up next on the screen was the Nuremberg Party Rally Grounds where brown-shirted Nazis paraded en masse. "I think it is really great architecture," said the lecturer. "You take off the swastikas, and you can admire it without feeling guilty."

As you might expect, "Audience members shifted awkwardly in their seats, and a few walked out to protest the remarks by Léon Krier, opening a conference on Berlin at the Yale School of Architecture in February." Anyone manage to actually be there for this, or have any follow-up?

Driehaus and Krier do battle against Gehry's Eisenhower Memorial design

2012-02-15T20:59:00-05:00

An aesthetic traditionalist who sponsors an annual architecture award that bears his name, Driehaus is no fan of Frank Gehry's proposed modernist design for the Eisenhower Memorial in Washington, D.C. And he's doing what he can to fight it. Earlier this week, a public relations operative who works for Driehaus called me and offered the following essay, by the influential neo-traditionalist architect Leon Krier, who offers a tough critique of Gehry's plan and ideology.

KATARXIS Moment: Peter Eisenman and Leon Krier, on dishwashing...

2009-06-30T23:18:00-04:00

Vintage 1983... Based on real and virtual quotes, the debate is fictitiously edited by KATARXIS.
Peter Eisenman: "Leon, come on, you cannot build this way anymore today!"
Leon Krier: " You can't, but I can! "
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