Archinect - News2024-12-22T00:16:20-05:00https://archinect.com/news/article/150005054/vito-acconci-pioneering-artist-and-architect-is-dead-at-77
Vito Acconci, pioneering artist and architect, is dead at 77 Nicholas Korody2017-04-28T13:35:00-04:00>2018-01-30T06:16:04-05:00
<img src="https://archinect.gumlet.io/uploads/lz/lz0vybrddosftjs6.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>Vito Acconci, pioneering conceptual artist and architect, passed away today at the age of 77. After starting his career as a poet, Acconci gained recognition for his influential performance and video works. A man of many parts, he then transitioned into working with audio/visual installations before beginning to work primarily as a landscape architect and designer.</p><p>During the early ‘80s, Acconci created works like <em>Instant House</em>, a sculpture that assembles into an inhabitable structure when a person sits on a swing, with each interior wall covered in an American flag, and on each exterior wall, a Soviet flag. In 1983, Acconci made his first permanent installation, <em>Way Station I (Study Chamber) </em>at Middleburg College<em>, </em>a sculpture so controversial (it likewise juxtaposed the flags of capitalist countries with communist states) that it was burned down. Later, it was reinstalled.</p><p><img title="" alt="" src="http://cdn.archinect.net/images/650x/fa/fadd8f2ocikwq47c.jpg"><img title="" alt="" src="http://cdn.archinect.net/images/650x/9r/9r0i3jpmb4unx093.jpg"></p><p>By the late ‘80s, Acconci had founded <a href="http://acconci.com/" rel="nofollow" target="_blank">Acconci Studio</a> and focused on designing furniture as well as theoretical d...</p>
https://archinect.com/news/article/149959446/from-seedbed-to-lobby-for-the-time-being
From 'Seedbed' to 'Lobby for the time being' Nam Henderson2016-07-23T15:30:00-04:00>2018-01-30T06:16:04-05:00
<img src="https://archinect.gumlet.io/uploads/cl/cl7aj7ijet0743z1.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><em><p>As far as the art world was concerned, his leap into architecture — designs for things like public parks, airport rest areas and a man-made island — was almost as if Mr. Acconci decided to enter the witness protection program. But he disappeared right in the art world’s midst, continuing to teach generations of art students</p></em><br /><br /><p>On the occasion of Vito Acconci's first <a href="http://momaps1.org/exhibitions/view/411" rel="nofollow" target="_blank">retrospective in the United States</a>, in more than three decades, Randy Kennedy held a series of interviews over three months with the artist. </p><p>See also; in the <strong>News:</strong> (via <a href="http://archinect.com/news/article/89572/vito-power-less" rel="nofollow" target="_blank">The Architect's Newspaper</a>, <a href="http://archinect.com/news/article/92686/j-vito" rel="nofollow" target="_blank">the J. Crew catalog</a> and a <a href="http://archinect.com/news/article/85524/vice-on-vito" rel="nofollow" target="_blank">Vice/VBS.TV six part interview</a>) or Lian Chikako Chang's <a href="http://archinect.com/lian/vito-acconci-again-and-again" rel="nofollow" target="_blank">live-blog of a lecture</a> he gave in Piper, back in 2011)</p>