Archinect - News

NYC approves Olalekan Jeyifous and Amanda Williams' Shirley Chisholm monument for Brooklyn

2023-07-18T14:48:00-04:00

New York City is getting a new monument dedicated to the late pioneering Brooklyn congresswoman Shirley Chisholm following the approval on Monday, July 17, of a sculpture designed by artists Olalekan Jeyifous and Amanda Williams.

The piece is part of the city’s new She Built NYC initiative, a series of public art commissions created under the de Blasio administration that will install monuments to historic trailblazers in every borough over a proposed four-year timeline.

A previously-approved version of the monument, which will be the first ever to depict a woman in Brooklyn, was delayed through the pandemic and will now restart using a slightly refined design featuring a gestalt of imagery that combines Chisholm’s silhouette and the U.S. Capitol Building dome into one 32-foot latticed steel form. The artists say this combination “symbolizes how she disrupted the perception of who has the right to occupy such institutions and to be an embodiment for democracy.”

The 2019 'Our Desti...

'Architecture as a vehicle for liberation and joy:' Michael Kimmelman in conversation with the Black Reconstruction Collective

2021-03-11T19:02:00-05:00

What’s below is a conversation with members of the Black Reconstruction Collective, which came together during the past year and a half, in tandem with an exhibition now at the Museum of Modern Art called “Reconstructions: Architecture and Blackness in America.” The collective’s members are the 10 architects, artists and designers in the exhibition.

NYT architecture critic Michael Kimmelman has published a condensed version of his conversation with Amanda Williams, Emanuel Admassu, J. Yolande Daniels, and V. Mitch McEwen — four of the ten architects, designers, and artists of the Black Reconstruction Collective whose work is currently featured in the MoMA exhibition Reconstructions: Architecture and Blackness in America.

Related on Archinect:

MoMA agrees to temporarily cover Philip Johnson's name with Black Reconstruction Collective artwork

2021-03-02T13:59:00-05:00

The debate over Philip Johnson's past and ongoing legacy continues: after The ---- Johnson Study Group published an open letter calling for all institutions to remove the name of Philip Johnson from "every leadership title, public space, and honorific of any form" in response to the architect's documented Fascist past and support of white supremacy, the Museum of Modern Art, where he was the Director at the Department of Architecture, has now agreed to temporarily cover up Johnson’s name during the run of its current exhibition Reconstructions: Architecture and Blackness in America.

A 10-by-10 foot denim textile piece created collaboratively by the nonprofit Black Reconstruction Collective (BRC) and printed with the group's "Manifesting Statement" will greet visitors at the exhibition entrance, blocking the museum's permanent gallery signage.

Previously on Archinect: Creative community issues a call to remove Philip Johnson's name because of his fascist past

"We accepted their exhib...

New MoMA exhibition investigates architecture, Blackness, and anti-Black racism in America

2021-02-12T12:57:00-05:00

Reconstructions: Architecture and Blackness in America is the fourth installment of the Issues in Contemporary Architecture series at the Museum of Modern Art (MoMA). The exhibition investigates the intersections of architecture, Blackness, and anti-Black racism in the United States.

Olalekan Jeyifous. …other seasonal occupancy neighborhoods. 2020. Courtesy of Olalekan Jeyifous. The Museum of Modern Art, New York

Moreover, the featured projects will look at contemporary architecture and its role in the systemic racism that has facilitated discrimination and injustice in the U.S. A system that has informed and continues to inform the design of American cities through public policies, municipal planning, and architecture that has specifically impacted the Black community.

J. Yolande Daniels, principal, studioSUMO | Los Angeles. Race Plate. 2020. Digital rendering, 24 x 36″ (61 x 91.4 cm). Image courtesy of the artist. The Museum of Modern Art, New York

Reconstructions will feature 10 n...

Amanda Williams, the architect behind the Chicago Architecture Biennial's "Color(ed) Theory", on art and activism

2016-03-23T17:16:00-04:00

I’ve been asked to do a lot of direct-action things, but have been hesitating to commit to anything. I feel like I need a strategy for this next step so I don’t get mired in the social activism and lose track of the art and architecture. It doesn’t mean that activism isn’t important, but it is a slippery slope to start advocating all the time instead of using my unique lens to focus on these issues.

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↑ One of the abandoned houses Williams painted for the "Color(ed) Theory" project, exhibited in the 2015 Chicago Architecture Biennial.