Archinect - News

Here’s what the critics are writing about the 2024 Serpentine Pavilion

2024-06-12T16:31:00-04:00

The 23rd Serpentine Pavilion exhibition opened last week in London’s Kensington Gardens, drawing the usual mixture of praise and derision from UK-based critics who responded to the Archipelagic Void from Minsuk Cho and Mass Studies.

Kicking things off was the perfunctory Rowan Moore review. The Guardian’s longest-tenured critic seemed to enjoy the programmatic diversity of elements such as the Library of Unread Books and Play Tower, quipping that it is “an architectural equivalent of Korean multi-dish meals.”

Serpentine Pavilion 2024, Archipelagic Void, designed by Minsuk Cho, Mass Studies © Mass Studies Photo: Iwan Baan Courtesy: Serpentine

“It’s an enjoyable, playful, centrifugal-centripetal place, loose but distinctive, not afraid to be a bit ugly, full of contrasts and surprises, that gets a lot into its fairly small square footage,” he concludes. “The design is characterful but not dominating. It feels like what it is – a temporary building – rather than one that wishes it were...

First photos of Minsuk Cho, Mass Studies' 2024 Serpentine Pavilion

2024-06-05T13:15:00-04:00

London's annual Serpentine Pavilion is gearing up for its grand opening on Friday with a first preview of this year's completed design by Korean architect Minsuk Cho.

Envisioned together with his Seoul-based firm Mass Studies, the 23rd annual summer pavilion, titled Archipelagic Void, departs from the tradition of a single-structure installation and is, instead, comprised of five thematic 'islands' arranged around a central void, inspired by traditional Korean madang courtyards.

Serpentine Pavilion 2024, Archipelagic Void, designed by Minsuk Cho, Mass Studies © Mass Studies Photo: Iwan Baan Courtesy: Serpentine

Acting as the main pavilion entry, the Gallery will feature a six-channel sound installation envisioned by musician and composer Jang Young-Gyu, presenting The Willow <버들은> during the summer months and Moonlight <월정명> in the fall.

Serpentine Pavilion 2024, Archipelagic Void, designed by Minsuk Cho, Mass Studies © Mass Studies Photo: Iwan Baan Courtesy: Serpentine

Located in th...

South Korean architect Minsuk Cho and Mass Studies will design the 2024 Serpentine Pavilion

2024-01-22T13:13:00-05:00

South Korean architect Minsuk Cho has been announced as the designer of the 2024 Serpentine Pavilion commission in London. The Mass Studies founder debuted preliminary renders of their winning design this morning ahead of the exhibition’s June opening. His team's entry will appear as a star-like hub of activity to visitors, harkening them into experiencing a variety of communal spaces they say have resulted from a careful study of its past predecessors.

For the 23rd overall edition of the Serpentine Pavilion, a constellation of smaller structures will form around a central void space inspired by the vernacular Madang courtyard features found in small residential structures across Korea. Each of these five separate spaces will have a name and programmatic function while doubling as “content machines” and devised to montage with the corresponding flexible open areas and park surrounding the pavilion.

Serpentine Pavilion 2024 designed by Minsuk Cho, Mass Studies. Design render, exteri...

Theaster Gates' Serpentine Pavilion opens as a shrine to community building and sacred practices

2022-06-07T13:53:00-04:00

Theaster Gates' Serpentine Pavilion has been revealed in London's Kensington Gardens, showcasing his vision for a Black Chapel that advances the fair's evangelizing mission to be an incubator for community building, civic culture, and public engagement.

In a circular form evoking several architectural traditions and cultures, including traditional African structures and Hungarian round churches, the pavilion is rendered in the same stark-looking black tar color as the suite of 14 new paintings Gates executed for the exhibition, providing an additional reference to the meditative elements present in Houston's Rothko Chapel, which the 48-year-old artist credited as an additional source of design inspiration.

Gates conceives of his pavilion as “a site for contemplation and convening” where gatherers are hailed together artistically in remembrance of lost places of “spiritual communion” that populate urban areas like London and his hometown of Chicago. It was executed with design help...

This year's Serpentine Pavilion, inspired by London's immigrant gathering spaces, opens a year later than planned

2021-06-10T18:41:00-04:00

The latest iteration of the Serpentine Pavilion is now open in London after more than a year of COVID-related delays.

South African studio Counterspace had to wait 10 months to present its final design after being named to the commission in February of 2020.

Serpentine Pavilion 2021 designed by Counterspace, Exterior View © Counterspace Photo: Iwan Baan

The women-led team completed the commission's 20th Pavilion using repurposed materials including wine corks, steel, and cement leftover from marble production. This culminated in a carbon-negative building six meters in height that brought together elements from the city’s disparate migrant enclaves in an amalgam of typologies meant to articulate different scales of intimacy, according to Counterspace’s founder Sumayya Vally.

Serpentine Pavilion 2021 designed by Counterspace, Interior View © Counterspace Photo: Iwan Baan

To gain perspective for the structure, Vally spent four months in the city looking for gathering spaces that typifi...

Artists and researchers of “Seeds of Time” exhibition join forces to rethink approaches to sustainability

2017-06-07T17:27:00-04:00

Organized into the three “zones” of Field, Sequence, and Rooms, the exhibition will bring together the minds of artists and designers like Diller Scofidio + Renfro, Yoko Ono, and Olafur Eliasson and researchers such as the Bulletin of Atomic Scientists, who will propose solutions and approaches to the ever-pressing issues of environmental and social sustainability.

As Chapter 2 of the Shanghai Project, the “Seeds of Time” is a cross-disciplinary exhibition designed by Hong Kong- and Madrid-based COLLECTIVE studio and curated by Dr. Yongwoo Lee and Hans Ulrich Obrist. The exhibition is at the Shanghai Himalayas Museum until July 30.

Photo: Katja Lam / COLLECTIVE.

“We're All Water” by Yoko Ono. Photo: Katja Lam / COLLECTIVE.

Hans Ulrich Obrist and Etel Adnan remember Zaha Hadid

2016-05-11T12:37:00-04:00

When I visited her for the first time, at the end of the 1990s, I was still living in Paris. A typical London cab picked me up from the airport and brought me to her (at that time, quite small) studio, in which, supported by her young team, there was an atmosphere permeated by futurism. It must have been the same among the Russian avant-garde at the beginning of the ’20s, when they not only started to reshape art, but also society...

"Three months later I visited her again, since I was working intensely on a project at the French Academy in Rome with an installation by Hadid in the garden of Villa Medici," Obrist continues.

"I realized that the same cab driver picked me up. When, some time afterward, I saw him for the third time at the wheel, I asked about this strange coincidence. He explained to me that Hadid had bought herself a cab that was only there for herself and her guests."

Art Forum also published a text by the artist and poet Etel Adnan. Obrist relates that when Hadid's Chanel Pavilion was relocated to the Institut de Monde Arab in 2011, the German fashion designer Karl Lagerfeld asked Obrist to put together an opening event. The curator asked three poets, including Adnan to write odes to Hadid.

"Zaha Hadid's entire oeuvre is an invitation to take a trip," Adnan wrote. "Hadid is a poet of forms and of the materials that give presence to these forms; one must admire them close up and from afar to discove...

BIG to design 2016 Serpentine Pavilion, alongside smaller "Summer Houses" by Kunlé Adeyemi, Barkow Leibinger, Yona Friedman and Asif Kahn

2016-02-10T15:29:00-05:00

The Serpentine Galleries in London announced earlier today the designer of the 2016 iteration of their annual Pavilion series: Bjarke Ingels Group, or BIG, the Copenhagen and New York-based global powerhouse.

This summer marks the 16th Pavilion of the acclaimed program, which began in 2000. Conceived initially by Julia Peyton-Jones, the outgoing co-director of the Galleries, the Serpentine’ Pavilion commission is awarded each year to noted architects who have never built in the UK.

As Peyton-Jones’ swan song, this summer’s program will be expanded to include four other 25 square meter structures, or “Summer Houses”, scattered on the lawns of Hyde Park in close proximity to the Galleries. These will be designed by Kunlé Adeyemi – NLÉ (Amsterdam/Lagos), Barkow Leibinger (Berlin/New York), Yona Friedman (Paris) and Asif Kahn (London).

Since its inception, the Serpentine Pavilion has drawn large crowds, garnering public attention for practitioners whose reputations had not necessarily exce...