Archinect - News2024-12-25T14:07:31-05:00https://archinect.com/news/article/150043404/photographer-documents-where-human-imposed-grid-must-bend-to-earth
Photographer documents where human-imposed grid must bend to Earth Hope Daley2018-01-04T13:28:00-05:00>2024-03-15T01:45:58-04:00
<img src="https://archinect.gumlet.io/uploads/2a/2a3b5eto1yhfedmx.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>Photographer <a href="http://www.gercoderuijter.com/gerco2/" rel="nofollow" target="_blank">Gerco de Ruijter</a> is widely known for his work focusing on <a href="https://archinect.com/news/tag/83423/grid" rel="nofollow" target="_blank">grids</a> and other signs of human-imposed <a href="https://archinect.com/news/tag/285473/geometry" rel="nofollow" target="_blank">geometry</a> on the landscape. His latest work explores instances in the North American landscape where the Jeffersonian road grid is forced to go awry due to the curvature of the Earth. His film <em>Grid Corrections</em> was made digging through <a href="https://archinect.com/news/tag/660838/aerial-photography" rel="nofollow" target="_blank">Google Earth imagery</a> of the Thomas Jefferson Grid, a grid built of exact square mile increments that must bend every 24 miles. </p>
<figure><figure><a href="https://archinect.gumlet.io/uploads/b2/b2ggm8ncas7if8wj.jpg?auto=compress%2Cformat&w=1028" rel="nofollow" target="_blank"><img src="https://archinect.gumlet.io/uploads/b2/b2ggm8ncas7if8wj.jpg?auto=compress%2Cformat&w=514"></a><figcaption>Photo: still from “Grid Corrections” by Gerco de Ruijter, courtesy of the Ulrich Museum of Art.</figcaption></figure></figure><p>Check out a one minute clip of his film documenting these strange instances of T-intersections and zigzagging turns, where the human grid is forced to account for its natural environment. Read more about the project on Geoff Manaugh's <a href="http://www.bldgblog.com/2015/12/grid-corrections/" rel="nofollow" target="_blank">BLDGBLOG</a>. </p>
https://archinect.com/news/article/144056375/the-camera-of-the-future-may-be-lensless
The camera of the future may be lensless Nicholas Korody2015-12-23T14:23:00-05:00>2015-12-28T22:36:40-05:00
<img src="https://archinect.gumlet.io/uploads/9j/9j2xy67hf19blg7z.png?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><em><p>The optics of the camera obscura ha­ve faithfully served photographers for ages. The recipe has been simple: a lens, aperture, dark box and something to record the light.
But the camera as we know it is changing. A revolution in digital imaging research could surpass the camera obscura in almost every technical way... It’s called computational photography, and it stems from the idea that if you can capture visual data instead of a true image, then the picture can be reconstructed with software.</p></em><br /><br /><p><strong>Related:</strong></p><ul><li><a title="Architecture in the age of photoshop" href="http://archinect.com/news/article/142823587/architecture-in-the-age-of-photoshop" rel="nofollow" target="_blank">Architecture in the age of photoshop</a></li><li><a title="Wim Wenders discusses the role of architecture and landscape in his films" href="http://archinect.com/news/article/138492312/wim-wenders-discusses-the-role-of-architecture-and-landscape-in-his-films" rel="nofollow" target="_blank">Wim Wenders discusses the role of architecture and landscape in his films</a></li><li><a title="Between Two and Three Dimensions: Panelists Discuss the Relationship Between Architecture and Photographic Representation at the LA Photo Fair 2014 " href="http://archinect.com/news/article/118813755/between-two-and-three-dimensions-panelists-discuss-the-relationship-between-architecture-and-photographic-representation-at-the-la-photo-fair-2014" rel="nofollow" target="_blank">Between Two and Three Dimensions: Panelists Discuss the Relationship Between Architecture and Photographic Representation at the LA Photo Fair 2014</a></li></ul>