Archinect - News

Assessing the built legacy of America's slave auction sites

2020-02-13T18:52:00-05:00

The latest installment of The New York Times' 1619 Project takes a look at the largely erased built legacy of slavery in America. The article visits a collection of sites that had to be uncovered more or less through original research, as little documentation and few historical markers exist with regards to these places.

Writer Anne C. Bailey and photographer Dannielle Bowman take a look at what remains of this sordid legacy. In the article, Bailey writes, "After the Civil War, most former auction sites quietly blended into the main streets of today. Except for the occasional marker or museum, there was no record of the horror of separation suffered by many black families."

Enslaved people owned by Thomas Jefferson were sold on the steps of Monticello to help pay off the ex-president's debts following his death in 1826. Image courtesy of Wikimedia user David Broad.

Bailey adds, "The sales took place all over the growing nation — in taverns, town squares and train stations, on riverb...

A decade in the making, UVA’s Memorial to Enslaved Laborers begins to take shape

2019-10-19T16:10:00-04:00

“The memorial is a circle, a continuous ring never ending, an opening for people to step inside and contemplate, to learn what slavery was about. For the community, I hope it enlightens young and old, and reminds everyone that slavery was a very evil part of our history.”

Members of the University of Virginia share their personal experiences and connections to the currently-under-construction Memorial to Enslaved Laborers that is taking shape on the campus.

The university’s Board of Visitors has chosen an interdisciplinary team to bring the project to life that includes Höweler+Yoon, UVA alumna Mabel O. Wilson; Frank Dukes, past director of the Institute for Environmental Negotiation in the UVA School of Architecture; Gregg Bleam, a UVA-based landscape architect; and the artist Eto Otitigbe.

David Adjaye on Designing a Museum That Speaks a Different Language

2016-09-22T00:11:00-04:00

I was completely moved by the corona motif. It seemed like a way to start to tell a story that moves from one continent, where people were taken, along with their cultures, and used as labor, then contributed towards making another country and new cultures. That history then continues in the decorative patterning of those panels.

Adjaye.

A young designer rethinking how we memorialize collective trauma

2015-11-17T13:46:00-05:00

[Sara Zewde] argues that while the traditional monument commemorates a singular event or individual by placing an object in a space that is a break from its surroundings, the 400-year practice of African enslavement demands a different approach. “For Afro-descended people, you wake up every day with the legacy of slavery,” she says. “How do you deal with that spatially?” One approach is to translate cultural practices into spatial ones.