Archinect - News

“In which the solid buildings would be replaced by the accumulation of foam”

2019-08-19T14:30:00-04:00

Prada Poole conceives the city of the future through what he calls “the three stages of a nonexistent architecture.” In this conception, the traditional city would, in successive transformations, morph into an immaterial city, without inertia, in which the solid buildings would be replaced by the accumulation of foam that would “appear and disappear, converge and disperse according to the different needs.”

Antonio Cobo examines the revolutionary work of Hippie Modernist architect and theorist Jose Miguel Prada Poole for Mas Context.

Revisiting "A Pattern Language"

2019-07-12T13:09:00-04:00

“A Pattern Language” is not about architecture, but about how specific design choices can help us build better relationships. By fitting a series of those choices—the patterns—together, you get a room, a house, a neighborhood and eventually a city.

Curbed architecture critic Alexandra Lange takes us on a journey through some of the key lessons from Christopher Alexander's seminal work, A Pattern Language.

The book, originally published in 1977 has long been out of fashion in architecture schools, but, Lange argues, with the rise of smart cities and other quick-fix approaches to contemporary urban and global design problems, now is perhaps a good time to revisit Alexander's earnest, methodical, and people-centered tome.

Lange writes, "As New York, Toronto, Singapore, and more places around the globe build so-called smart cities, maybe we need to read “A Pattern Language” again in that context," adding, "Who is the audience for the smart city? Who has access to the data? Who has the ability to make design decisions based on that data? Is this city going to build better relationships? People are the scoring system, whether you’re deciding on a rug for the living room, or a light rail system for the city."

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Aesthetic Radicalism and the Counterculture

2015-11-02T12:42:00-05:00

Herbert Marcuse, who in his book One-Dimensional Man, which was widely influential in the counterculture, argued that advanced industrial society creates an uncritical consumerism that it uses to orchestrate social control as it integrates or binds the working class to endless cycles of both production and consumption.

"The basic themes of anticonsumerism can be found in One-Dimensional Man: over-identification and symbolic reliance on consumer goods for personal satisfaction, the creation of desire and the fulfillment of wants instead of basic needs, the irrational expenditure of labor in pursuit of continuous consumption, the waste and environmental damage sustained in order to produce such goods, and the corresponding illogic of planned obsolescence. The inherent multidimensionality of the individual and one’s experience is thus eroded, and with it the capacity for critical thought and opposition. Following the austerity of the Great Depression and the sacrifices of World War II, America’s postwar economic boom and its ascent as a global superpower created an impression of abundance, no matter how unevenly it was actually distributed in society, fueled by technological and scientific advancements—so much so, that it was even possible to proclaim an impending “post-scarcity” society. That plenit...