Archinect - News

Oliver Wainwright on Paris' claims to be the 'greenest Olympics yet'

2024-07-21T08:46:00-04:00

With its focus on mobility, greenery and renovation, the overarching legacy of the Paris Olympics looks set to be more promising than most, ultimately helping to stitch long-severed suburbs into the centre. The mental geography of most Parisians will expand, for the better. Perhaps that’s the most that could be hoped for: with its emphasis on speed and reliance on private developers, the Olympics can hardly be a vehicle for more equitable forms of development.

Oliver Wainwright unpacks the City of Lights’ vision for a green (some might say ‘greenwashed’) 2024 Olympic Games while complimenting some of the new architectural designs from Ateliers 2/3/4/, Kengo Kuma, and others. No survey would be complete, of course, without a site visit to the massive new Athletes’ Village master planned by Dominique Perrault for the gritty Saint-Denis suburb, where he counted several flaws.

“It follows a classic pattern,” author Justinien Tribillon tells him. “The development is designed to ensure that people with more money will move here, increasing local tax revenues, instead of building very ambitious, progressive, sustainable social housing for the existing inhabitants of Seine-Saint-Denis.”

The games' opening ceremony begins on the cleaned-up Seine River on Friday, July 26th, at 7:30 PM local time.

Oliver Wainwright on the 'elegant white steel and glass pavilion' crowned 2024 EU Mies van der Rohe Award winner

2024-04-30T11:48:00-04:00

A lightweight university study centre designed to be easily disassembled has won the prize for the best building in Europe. Longevity, permanence and a sense of immutability might be the ambition of most architects, but Gustav Düsing and Max Hacke would be delighted to see their building adapted and reconfigured, or ultimately dismantled and moved somewhere else altogether.

Wainwright reflects on the "impossibly slender" pavilion which was revealed as the winner of the 2024 EU Mies van der Rohe Award last week in an article that also includes the perspectives of the pavilion's architects, Gustav Düsing and Max Hacke.

Related on Archinect: University study pavilion wins the 2024 EU Mies van der Rohe Award with a reconfigurable design. Photo by Iwan Baan.

Located on the campus of the Technical University of Braunschweig, Germany, the pavilion has been designed to allow for variations of student activities within a flexible layout, described by the award organizers as a "counter-model to spaces of hierarchical knowledge transfer."

Another winning aspect is the hybrid structure's ability to be disassembled and remounted. Individual components are capable of reuse in line with a principle called the "future material depot," which contributes to its role in the circular economy.

Oliver Wainwright on Disney's 'dream or nightmare' Storyliving community

2024-04-09T11:58:00-04:00

With revenue from cinema and streaming falling in recent years, income from Disney’s “experience” division is soaring, and property development is the next logical step. Disney tried it before in Florida, first with utopian plans for Epcot (the Experimental Prototype Community of Tomorrow), followed by the quaint town of Celebration, but Storyliving takes the branded living experience to the next level.

Writing for The Guardian, critic Oliver Wainwright reflects on plans for a major Disney-themed development at Rancho Mirage in the California desert.

As we reported initially in 2022 and in a follow-up last year, the 2,000-home Storyliving by Disney scheme will include a midcentury-influenced member's clubhouse named for the fictional Parr family from the company’s “The Incredibles” franchise, where users can engage with Disney-themed art lessons and experience dinners inspired by Disney stories.

Related on Archinect: Disney unveils further details for planned Cotino community in the Coachella Valley. Image courtesy Disney Parks

In his latest article, Wainwright views the development through the lens of the Architecture of Stage Realities exhibition taking place at Arc en Reve in Bordeaux. The exhibition "paints a portrait of Walt Disney as a natural-born developer, a cartoonist who understood not only how to lure people into his magical worlds but how to keep them coming back," Wai...

Oliver Wainwright on RIBA's '100 Women: Architects in Practice,' a new primer for industry-wide change

2024-02-29T13:40:00-05:00

We’re not there yet. In an industry where the gender pay gap has widened in recent years, where all-male panels at conferences are not unusual, and where macho culture still prevails on building sites, a book like this, sadly, still has a place.

Writing for The Guardian, critic Oliver Wainwright says he hopes RIBA’s new publication 100 Women: Architects in Practice, which we previewed in December, will encourage competition judges, academic panels, awards juries, exhibitions organizers, and rebuke “the headhunters who claim women never apply, [...] the clients who say they just can’t find women with the right experience.”

Many of the architects included in the book, namely Mariam Kamara, Suhailey Farzana, and others, are women whose practices are informed by and in service to decolonization in the developing world à la the 2023 RIBA Gold Medal winner Yasmeen Lari and 2021 Soane Medalist Marina Tabassum. (The profiles are divided into 18 geographical "sub-regions" based on the UN's geoscheme.)

The 320-page book was written by Harriet Harriss, Naomi House, Monika Parrinder, and Tom Ravenscroft, with Alison Brooks responsible for the foreword.

Details emerge regarding the Italian government denying visas for three Ghanaian curators at the 2023 Venice Architecture Biennale

2023-05-22T15:47:00-04:00

Controversy stirred at the Venice Architecture Biennale after Italian government officials refused visas to three key Ghanaian curators who had planned on entering the country to attend the exhibition ahead of its opening on Saturday, May 20.

On May 19, The Art Newspaper's Tom Seymour reported on the latest details on the story first mentioned by Guardian critic Oliver Wainwright via Twitter on May 10th.

Sickening to hear this from the curator of this year's Venice Biennale, Lesley Lokko – large numbers of participants from Africa have been denied visas to attend: pic.twitter.com/Pn5ASUgev9
— Olly Wainwright (@ollywainwright) May 10, 2023

The drama began after the Italian ambassador to Ghana denied entry permissions to the traveling contingent, reportedly accusing curator Lesley Lokko of trying to bring three “non-essential” workers into the EU’s Schengen economic zone.

Lokko, who is herself of Ghanaian descent, responded to decry the actions as the motivations of a right-wing caree...

Oliver Wainwright reviews Eric Owen Moss' "menacing" (W)RAPPER office tower

2023-03-20T14:28:00-04:00

The result is a menacing thing, cranking up Moss’s cyberpunk tendencies to new high-octane levels. If ever Hollywood needs a villainous headquarters for a dystopian petrol-guzzling empire, this will be first in line – with a carbon footprint to match.

The Guardian’s Oliver Wainwright spies the limits of LA-brand deconstructivism on a visit to Eric Owen Moss’ (W)RAPPER project in Culver City's Hayden Tract, an “eccentric” assembly of low-rise office buildings the critic says he has helped turn into a warped “exhibition of architectural experimentation.”

Image courtesy Google Street View (February 2023)

Moss brags about the rubberband-like steel exoskeleton that wraps the glass in the city’s second-tallest building enabling a column-free interior while enhancing the imposed verticality and is supposedly inspired by William Butler Yeats and Gustave Courbet, among many other crisscrossing intellectual references. Wainwright, unfazed, drops the dime on its poor sustainability bonafide (to which Moss returns “Is that the only measure of architecture now?”) before critiquing the greatly obstructed views and questioning the promise of so-called “creative office” designs.

Related on Archinect: Eric Owen Moss-designed (W)RAPPER tower has t...

The push for 15-minute cities is now a rallying cry for far-right conspiracists

2023-03-10T18:48:00-05:00

Never before has a mundane theory of urbanism been such a lightning rod for outrage [...] Some online forums have claimed that the 15-minute city represents the first step towards an inevitable Hunger Games society, in which residents will not be allowed to leave their prescribed areas. They see it not as a route to a low-traffic, low-carbon future, but as the beginning of a slippery slope to living in an open-air prison.

The man widely credited with developing the “15-minute city” concept, Colombian-born French academic Carlos Moreno, is the most likely source for paranoia owing to his radical left-wing identity. Though, as Wainwright points out, the idea dates to the 1920s, many conspiracists view its adaptation by cities like Brussels and Paris as tied to the “Trojan horse” that was the pandemic.

Thousands attended a rally against Oxford’s forthcoming plan last month, decrying the city’s embrace of the idea as one entiwned with Stalinism and surveillance culture. Oxford will indeed levy fines on motorists, but the plan’s core, according to Wainwright and Moreno, is more democratic than the extant circulation strategies far-right misinformation campaigns are seeking tacitly to uphold.

"Today 80 percent of urban mobility is forced, because people have to get up early and commute to school, to workplaces that are far from their homes," he told Politico recently. "In a city of proximity in which ser...

'An astonishing place to explore': Oliver Wainwright previews the trippy Super Nintendo World at Universal Studios Hollywood

2023-01-25T13:00:00-05:00

Welcome to Super Nintendo World, the closest thing you can get to diving head-first inside a video game and experiencing the likely effects of swallowing one of Mario’s magic mushrooms. For Universal, it represents the first expansion beyond film- and TV-themed rides, and a step up in designing a total environment – with the opening timed to capitalise on the release of an animated Super Mario Bros movie this spring.

The park expansion officially opens on February 17th. Visitors will find attractions like the overpriced Toadstool Cafe, a “sedate crawl” signature race experience (sans shortcuts), cuter small details, and Bowser’s Castle, which apparently includes a self-help library and bomb-making workshop.

Previously on Archinect: Super Nintendo World Hollywood sets an opening date for 2023

Wainwright compared the latter to Kim Jong-Il’s palatial abode, a space he documented somewhat controversially for a 2018 investigation published by Taschen. A Universal Studios executive described its design as being geared to encourage profligate repetition, not unlike a casino's. The Hollywood location follows another that opened in Osaka in 2021 and will be joined by two others in Orlando and Singapore, due to open by the end of 2025.

Frances Anderton says LA must end the stigma of apartment dwelling to survive

2023-01-12T17:38:00-05:00

Anderton’s book provides further powerful evidence that density is not something to be scared of, but is fertile ground for architectural invention, creating more neighbourly, walkable communities, and ultimately making Los Angeles a more livable city for all.

The Guardian’s Oliver Wainwright joined Common Ground: Multifamily Housing in Los Angeles author Frances Anderton for a walking tour of select historic apartment buildings that included Richard Neutra’s 1937 Strathmore Apartments in Westwood (noteworthy as the first apartment Charles and Ray Eames rented after they moved to the city in 1941) and the Irving Gill’s 1910 Horatio West Court, whose new neighbor is a just-finished transitional housing project from Brooks + Scarpa.

“There’s still an ingrained cultural stigma here, that renting an apartment means you haven’t quite made it," Anderton reminds us. The city's broken political culture, meanwhile, isn't making the issue much easier.

The former host of KCRW's popular radio show, DnA, has been a frequent collaborator on Archinect. Anderton joined us in December 2020 on the Archinect Sessions podcast to talk about her career and "the backstory behind her transition from architecture student to journalist to radio personality."

Lis...

'Shop of horrors': Oliver Wainwright reviews Morphosis' newly-opened Orange County Museum of Art

2022-12-13T17:20:00-05:00

Nowhere is the gulf between digital promise and physical fact more spectacularly evident than at the new Orange County Museum of Art (OCMA) in California [...] Almost a generation in the making, it feels like the final death rattle of a bygone age, the last gasp of an era preoccupied with novel form for form’s sake. Perhaps it is fitting that this flimsy, paper-thin architecture is held together with tape.

The Guardian critic paid a visit to the new museum building to offer a thoroughly dejecting assessment based on what he observed to be a disorienting entrance, confounding wayfinding system, atrium configuration, and defective cladding panels made necessary by a “performative shell” that has come to be an “expensive and elaborate” trope of its designers.

Morphosis partner-in-charge Brandon Welling claimed the firm was pushed into its October completion date and is still going through its punch list of small details that will complete the design, which Wainwright called a “$94 [million] hymn to the difference between render and reality.”

“I have no interest in completing projects,” says Thom Mayne - too bad for the Orange County Museum of Art https://t.co/RIvHSkUuZE pic.twitter.com/RdYTpOSVSo
— Olly Wainwright (@ollywainwright) December 13, 2022

Builders for the project pinned some of the issues on supply chain delays and said some of the hastily assembled stopgaps like tape and sof...

Soane Medalist Peter Barber on some possible fixes to the UK's housing crisis

2022-11-11T11:22:00-05:00

There is no housing shortage. There are over 400,000 empty homes in the UK, and about 200,000 homeless people. The vast majority of empty homes are in parts of the country which have become depopulated because of economic decline – in the Midlands, the north, and coastal cities. So the solution to the housing crisis isn’t building tons of homes. It’s about reviving the economy in those places, launching a massive retrofit campaign, and bringing people back.”

“We could end the housing crisis overnight, if we wanted to,” Barber told Oliver Wainwright in a recent interview, referring to the private grab on council housing that has developed unabated since the Thatcher administration's Right-to-Buy laws came into effect in 1980. “We should introduce private sector rent controls, halt the selling of council houses under right to buy, and build 150,000 council homes a year funded by direct taxation."

Oliver Wainwright explores the architectural history behind Saudi Arabia's planned The Line megacity

2022-09-13T09:00:00-04:00

It may now be seen as a dystopian nightmare, the far-flung folly of an autocrat desperate for global approval, but the idea of building a self-contained linear city has preoccupied the imaginations of architects and planners for generations. The Line might bill itself as a “never-before-seen approach to urbanisation”, but the principles behind it have been proposed many times over – though never successfully realised.

The Guardian critic writes that the outlandish NEOM project structure resembled a “habitable supercomputer” and cites a recent Bloomberg report that names Marvel Comics designer Olivier Pron as one of its many non-architect digital designers before pinning the massive project’s “ominous dystopian undertone” on Saudi ruler Mohammed bin Salman’s apparent penchant for cyberpunk aesthetics. “If ever there was an urban vision that embraced our end-of-days climate apocalypse,” he laments, “then this is it.”

Previously on Archinect: The Line, the largest part of Saudi Arabia’s ambitious NEOM project, looks like a total fantasy

Wainwright then turns to the architectural history books for further insights into the history of the linear megacity concept. Examples from a young Michael Graves/Peter Eisenman pairing, Superstudio, Kenzo Tange, Le Corbusier, Edgar Chambless, constructivist Mikhail Okhitovich, and 19th-century Spanish planner Arturo Soria y Mata, whom Wainwright claims invented the...

It's high time for an adaptive reuse revolution, says Oliver Wainwright (and everyone else)

2022-08-23T10:00:00-04:00

The timing couldn’t be more urgent. As Lang notes, 80% of the buildings projected to exist in 2050, the year of the UN’s net zero carbon emissions target, have already been built. The critical onus on architects and developers, therefore, is to retrofit, reuse and reimagine our existing building stock, making use of the “embodied carbon” that has already been expended, rather than contributing to escalating emissions with further demolition and new construction.

Tonkin Liu’s Stephen Lawrence Prize-winning Water Tower project is cited as one of many examples of the growing influence of adaptive reuse in the market as evangelized in Ruth Lang’s new book Building for Change, which is due out in September from the German publisher Gestalten. In a follow-up to his influential op-ed from January 2020, Wainwright takes up the cause for adaptive reuse via the disputed Marks & Spencer department store demolition, turning to last year’s Pritzker Prize winners for validation of an idea which has rapidly gained popularity across the UK.

“Demolishing is a decision of easiness and short-term. It is a waste of many things — a waste of energy, a waste of material and a waste of history,” Anne Lacaton told The Guardian critic. “Moreover, it has a very negative social impact. For us, it is an act of violence.”

Balfron Tower apartments go up for sale; enter Oliver Wainwright

2022-07-26T17:28:00-04:00

Almost 60 years later, Balfron’s streets have been scrubbed up and the residents’ facilities turbo-charged, but the kind of community that Goldfinger imagined has long since been evicted [...] Where once Balfron looked out over declining docks, it now winks across the Thames at the towers of Canary Wharf, whose bankers are a target audience for the new flats, which went on sale this weekend.

A spokesperson for the developer told the Guardian critic that the prospective buyers have mostly been well-to-do architects and design-hip young professionals thus far. Up for grabs is the famed Bond villain namesake Goldfinger’s personal apartment on the top floor, along with the five other preserved "heritage" apartments. Fans of the brutalist icon will have to shell out a pretty (money)penny to get inside its Grade II-listed halls, however: Asking prices for each of the 139 total apartments start at £375,000, or about $451,000.

Related on Archinect: Stock bricks to Brutalism: housing design in Poplar

Wainwright lamented the material choices and functionality of windows included in Studio Egret West's suite of upgrades as well as the newfound lack of views caused by the installation of a concrete balustrade. He also delved into the story behind its sordid ownership transfer. To that score, one "decanted" former resident told him the sloppy turnover was the product of "a political...

'A bit too slick': What the critics are saying about Theaster Gates' Serpentine Pavilion debut

2022-06-08T15:38:00-04:00

Theaster Gates’ hotly-anticipated debut as the first non-architect to win the Serpentine Pavilion commission has been causing quite a buzz online since premiering for the press yesterday in London’s historic Kensington Gardens.

The installation has thus far been received domestically as a mostly disappointing premiere, garnering two-star reviews in both The Times and Evening Standard, which labeled the effort “simple to the point of simplistic.”

“The vertical spruce planks ringing the exterior feel more like a garden fence than a dado, for instance,” critic Robert Bevan described. “But the strangest decision has been to insert a full-height vertical plank partition, which divides the main space, rendering the circular volume unreadable.”

Previously on Archinect: Theaster Gates' Serpentine Pavilion opens as a shrine to community building and sacred practices

Architects’ Journal editor Rob Wilson picked out the limitations of the design, stating that, in his view, “it feels like the...

Oliver Wainwright has seen this movie before with Heatherwick’s Tree of Trees installation

2022-06-01T17:40:00-04:00

Heatherwick himself has become the puckish poster boy for the current bout of arboreal mania. He has even incorporated his trademark plant-pots-on-sticks into a range of office furniture. If in doubt, the studio mantra seems to go – just smother the design with a garnish of greenery.

The Guardian critic echoed colleague Rowan Moore's derisive critique of Heatherwick’s continued “abuse of metaphors” published in late April and added his own criticism that the 350-tree structure, just like the MVRDV-designed Marble Arch Mound, offers “yet another example of the recent fetish among certain architects and designers for conjuring a cartoonish version of nature, suspending shrubbery and balancing trees in ways that make the plants look decidedly unhappy to be there.”

Previously on Archinect: An 'abuse of metaphors': Rowan Moore on Thomas Heatherwick’s tree-inspired jubilee design (and other UK public monument debates)

Oliver Wainwright on this summer’s most-anticipated infrastructure project

2022-05-26T14:07:00-04:00

Maltzan has taken the twin arcs and multiplied them fivefold across the 3,500ft length, hopping over railway tracks and roads as the viaduct makes its way eastwards. The result is almost surreal: seen from either end, it looks like the traces of two bouncing balls, ping-ponging their way across the valley, the arches rising to different heights according to what they are jumping over.

The Guardian critic took a tour of Downtown LA's soon-to-be-completed new Sixth Street Viaduct with architect Michael Maltzan, who said the $588 million project’s “real challenge” was to “come up with something as iconic as the original.”

Maltzan said the preservation of the bridge’s original iconic arches was a focal point for him and his team (“they were so much part of the civic memory of the city”) and added that the capacity for the project to serve as a bridge for the different social divisions that have long roiled the newly-conjoined neighborhoods was as important as its use as public infrastructure.

Herzog & de Meuron's new Royal College of Art Battersea Campus opens to the public

2022-05-23T17:49:00-04:00

Big news today as Herzog & de Meuron’s anticipated expansion of the Royal College of Art has officially opened in the Battersea district of London.

Characterized by a fusion of seven separate facilities into one combined structure, the new £135 million ($169 million) complex entails the creation of new social and educational spaces for the Sculpture, Contemporary Art Practice, and Moving Image departments as well as for the RCA’s School of Design.

Photo: Iwan Baan, image courtesy Royal College of Art

The 15,500-square-meter (167,000-square-foot) campus also sought to aid the shift in the 185-year-old institution's postgraduate offerings towards a more strengthened set of STEAM programs, which is seen in the addition of a new tech-centric eight-story research center, robotics hangar, and a center for enterprise, entrepreneurship, incubation and business support called InnovationRCA.

Photo: Iwan Baan, image courtesy Royal College of Art

Writing in the Guardian today, critic Oliver Wain...

Oliver Wainwright considers the impacts of Belgium’s Open Call bidding system

2022-05-03T12:17:00-04:00

Unlike the toxic culture of open international competitions, which see countless architects waste days of unpaid labour to compete in a beauty contest of novelty forms, the Open Call is focused – and paid. The democratic process has seen Pritzker prize winners drawn alongside recent graduates, unheard-of elsewhere. Unlikely as it may seem, the scheme has made this small part of northern Belgium home to some of the best new public buildings in the world.

The Guardian critic used Florian Heilmeyer’s new book, Celebrating Public Architecture: Buildings from the Open Call in Flanders 2000–2021, as a means of introduction to the system that was first enacted in 2000. Heilmeyer’s aim is to advance the notion that it “prove[s] that public architecture can actually be daring, thought-provoking, cooperative, and well-done at the same time.” Wainwright thoroughly concurred with the assertion, adding his own opinion that a shift towards a more democratic process could benefit the health and safety of his own country.

“It’s not hard to see why, given the current state of UK procurement culture,” he wrote of the controversial British way of awarding public procurements. “As the Grenfell inquiry has made all too clear in week after depressing week, the process through which public authorities procure building work has become riddled with lethal incompetence and institutionalised negligence.” Wainwright adds: “It is a process of contractual buck-...

Oliver Wainwright on the Barbican’s big 4-0

2022-03-04T18:55:00-05:00

The result was a beguiling cocktail – part bastion, part brutalist hanging gardens of Babylon – and it stood as the ultimate expression of the modern movement’s search for a monument. The complexity of incorporating so many venues on so many levels across a 40-acre site has always made the place an infuriating labyrinth for the uninitiated, with successive decades of signage and way-finding strategies deployed in an attempt to ease the maze-like passageways.

The Barbican’s important birthday comes ahead of next month’s revealing of the winner of the City of London Corporation-sponsored redevelopment contest. The Centre is celebrating with a weekend of special programming including a guest DJ’d after party.

Previously on Archinect: City of London reveals shortlisted candidates for the redevelopment of the Barbican Centre

Wainwright also managed to dig up an original review of the Barbican’s opening from 1982, which provides remarkable insights as to how the estate, which was first commissioned by the city’s Court of Common Council in 1957, was received by the media.

“The overpowering imagination, skill and effort which has gone into the 25-year project becomes apparent immediately,” The Aberdeen Press and Journal wrote at the time. “It is engrained in the pine-clad walls, the polished teak flooring, the subtle lighting, the overall design. In fact, the Barbican has been described as ‘a haven of cultural perfection in the midst of the City...

Oliver Wainwright obsesses over the distinctive architecture of Dakar

2022-01-14T14:40:00-05:00

Their obsessive geometrical composition was an attempt to answer the call of Senegal’s first president, the poet Léopold Sédar Senghor, for a national style that he curiously termed “asymmetrical parallelism”. Senghor never quite defined what this brave new style should look like, but he spoke vaguely of “a diversified repetition of rhythm in time and space”. Forceful, faceted forms and strong, rhythmic geometries became the vogue.

Dakar is known as a regional hub of modernism, which is equally the product of Senghor’s arts-centered vision and of its past colonial linkage. Wainwright traced the history of post-independence architecture in Senegal from the 1974 International Fair to Abdoulaye Wade’s controversial outsized African Renaissance Monument in Ouakam.

The Guardian critic appeared to be impressed by the city’s variety of styles and influences, offering Philipp Meuser and Adil Dalbai’s guide to the region as his bible and saying that it “offers a glimmer of hope from a new generation of young architects and engineers rediscovering vernacular techniques.”

“It is the postcolonial architecture of the 1970s and 80s that really stands out for its originality, much of it by Senegalese architects Cheikh Ngom and Pierre Goudiaby Atepa, as well as France’s Henri Chomette. They all developed a distinctive form of modernism in tune with President Senghor’s ideas of asymmetrical parallelism. Monolithic tapering p...

‘Slapstick Architecture’: Oliver Wainwright’s struggle to find meaning in the new Depot Boijmans Van Beuningen

2021-11-16T12:50:00-05:00

The storage has been forced to fit the quirks of the building, rather than the other way around, which seems like an odd way to design an art store.

The Guardian critic interviewed MVRDV frontman Winy Maas to find out if the inspiration for Rotterdam's new open storage museum came from a €3.99 salad bowl, noting its mirrored exterior affects the opposite of its intended invisibility and is also rather difficult to clean.

“The architects’ ambition was to create a building that ‘seems to disappear into its surroundings’ — but a 13-storey mirrorball does anything but,” he wrote. “There is a freeport here, too, where dealers can store art without paying tax. Such commercial aspects have helped to make the project stack up, along with €42m raised from private sources, but the hefty ticket price seems at odds with so much of the building being a corporate showcase to burnish big brands.”

Previously on Archinect: MVRDV's Depot Boijmans Van Beuningen is finally open in Rotterdam

Oliver Wainwright’s no fan of Oslo’s new Munch Museum

2021-10-26T08:36:00-04:00

The £235m mega museum of the tormented Norwegian artist stands as an ominous grey tower on the Oslo waterfront, lurching out at the top like a military lookout post, keeping watch over the fjord. It is a location scout’s dream for the ultimate villain’s headquarters, an almost comically menacing structure, bent over the pristine white iceberg of the city’s beloved opera house with a thuggish hunch.

Recently on Archinect, "estudio Herreros' Munch Museum to open in October." Photo: Adrià Goula, courtesy estudio Herreros.

The Munch Museum’s opening had been pushed back to this week following years of political holdup swelling from concerns the 11-story museum would, as Wainwright noted in his review, take away from the nearby Oslo Opera House from Snøhetta.

Oliver Wainwright on the MSG Sphere's political tangle

2021-08-03T17:06:00-04:00

He [Kahn] was enthusiastic about welcoming “another world-class venue to the capital, to confirm London’s position as a music powerhouse” when the sphere was announced in 2018; yet the following year, his planning officers’ first report concluded that it did not comply with his own London Plan. He is in a bind. Will he side with the Labour borough and listen to the locals, or back his development corporation in the hope of using this brash bauble to buff the capital’s post-Brexit brand?

The Guardian critic Oliver Wainwright explores the sordid dealings behind the gigantic $1.8 billion orb he describes as "the apogee of 360-degree advertising, the ultimate building-as-sign […] the stuff of Robert Venturi and Denise Scott Brown’s neon-soaked dreams."

The MSG Sphere fate is still very much up in the air ahead of a scheduled September planning council meeting. Residents in London's Stratford and nearby Hackney neighborhoods have lodged complaints pertaining to the light and noise pollution caused by the 4.7-acre LED-clad structure.

Liverpool has been stripped of its World Heritage Site status after a ruling by UNESCO

2021-07-22T17:00:00-04:00

Unesco’s decision will no doubt be shrugged off as the prissy overreaction of an unelected body and, given what has been allowed in Edinburgh, the world heritage designation seems largely ineffectual anyway. But the act of striking Liverpool off the list helps to shine a powerful international spotlight on a city that has been happy to embrace mediocre development for far too long. It is a useful reminder that the world is watching.

Liverpool has failed to retain its status as a UNESCO World Heritage Site following a meeting by the agency Wednesday in China.

The decision comes as no surprise to those who have for decades now been trying to prevent encroaching development near the city’s Victorian-era docks. UNESCO pointed to the “irreversible loss” of the docks’ historical value brought on by several multi-million pound projects including the Museum of Liverpool and new Everton football stadium.

UNESCO had originally placed the city on its list in 2004, but the slew of development that has taken place since brought on changes to the city skyline constituting a “significant loss to its authenticity and integrity” that lead to the agency’s decision which the city’s mayor has said could be appealed.

Oliver Wainwright responded with a missive decrying the city’s headstrong development pushes he views as “the consequences of a city in thrall to developers” that have destroyed Liverpool’s historic character in the s...

Rural China rediscovers its vernacular architecture

2021-03-29T16:39:00-04:00

After 20 years of frantic city-building, rustic China is in a death spiral. Now architects are helping to reverse the exodus – with inspirational tofu factories, rice wine distilleries and lotus tea plants

Oliver Wainwright, The Guardian's architecture critic, on the new crop of Chinese architects seeking to create a renewed sense of local pride and cultural identity across the country's vast rural areas.

"After an era of foreign architects using China as their playground," Wainwright quotes design critic Aric Chen, "we’re seeing a new generation of Chinese architects defining their own approach [...]."

How revolutionary are design proposals for homes of the future?

2020-12-08T14:48:00-05:00

What will homes of the future look like? According to a recent UK housing competition, Home of 2030, selected winners have an idea. However, are these ideas all that new? The Guardian's Oliver Wainwright unpacks these winning design proposals and explains, "according to the winning architects, most of the best ideas have been around for generations."

RIBA and the BRE organized the HOME of 2030 competition on behalf of government departments within the UK. The winning projects were asked to design "environmentally friendly homes that support people in leading independent, fulfilling lives as our society ages."

Connector Housing designed by Openstudio with Hoare Lea, LDA Design and Gardiner & Theobald are joint winners of the competition alongside igloo Regeneration. Image courtesy of OpenStudio/Home2030

Wainwright chats with Openstudio's Jennifer Beningfield to unpack their project Connector Housing. Beningfield explains, "You can't get much more flexible and adaptable than the Georg...

Settlement reached over Zaha Hadid's $133m estate

2020-11-20T13:16:00-05:00

In the four years since the celebrated Iraqi-born architect died suddenly in March 2016, a “toxic dispute” has been taking place between the executors of her estate [...]. The long-running feud has finally been settled in an explosive court hearing involving contested allegations of financial mismanagement, disregard for corporate governance and “clandestine relationships” between the current practice principal and junior members of staff.

The Guardian's architecture critic Oliver Wainwright provides an update on the four-year legal feud over the sizable estate of the late Zaha Hadid — now valued at around $133 million.

"The agreement will see the bulk of Hadid’s assets go to the Zaha Hadid Foundation," Wainwright writes, "a charitable body, with plans to establish a museum and award scholarships, focused on supporting the architectural education of Arab women in particular."

Zaha Hadid Architects principal director Patrik Schumacher will reportedly chair the employee benefit trust that holds shares in the architecture practice, Zaha Hadid Ltd (ZHL).

Listen to our 2018 conversation with Schumacher upon the passing of Zaha Hadid:

Previously on Archinect:

UK Architects report exploitive work practices amid lockdown

2020-10-15T13:00:00-04:00

The Guardian's Oliver Wainwright sheds light on the incredible exploitive workplace abuses happening in the UK in a recent piece titled Furlough fraud, snooping and firings: architects speak out over lockdown exploitation. From never-ending work days, to secret webcam recordings, and even bizarre firings, people have been experiencing troubling behavior from employers, leading many to report instances to RIBA and the United Voices of the World - Section of Architectural Workers (UVW-SAW).

In one instance, Wainwright reports on a woman who discovered her boss had been monitoring her webcam and secretly recording her client meetings. "I only realized I was being monitored when something I said was later quoted back to me in a team meeting," she says as reported by Wainwright. "And another recording of me was used in a presentation. It was completely insane. It felt like being back at school, with added hyper-surveillance."

Other case studies include employers who have signed up for th...

UK efforts to bring public sector contracts to Black architects are floundering

2020-07-08T15:40:00-04:00

Southwark council declared that its New Architect Design Services Framework was a “first-of-a-kind” attempt to engage with a new generation of diverse designers. As councillor Leo Pollak put it: “It is the framework some architects have been waiting for all their years.” It turns out that black architects will have to wait even longer.

Writing in The Guardian, architecture critic Oliver Wainwright highlights the long-standing barriers Black and other minority architects in the UK face with regards to attaining public building contracts. Wainwright finds that while the 2010 Equality Act compels localities to improve how public projects impact and support minority communities, a lack of demographic collection data has hampered efforts to diversify public projects in London to include the contributions of minority designers.