Christopher Hawthorne dissects Zumthor's inkblot with LACMA Director Michael Govan

2015-03-28T09:02:00-04:00

Since opening the doors of its original William Pereira buildings in 1965, the Los Angele County Museum of Art has grown along with its home. The version of the city beloved by Reyner Banham and Pereira was alive then on the historic Miracle Mile, proselytizing megasized car-infrastructure and New Suburban models of living. From the 1980s through the 2000s, the museum expanded and reorganized, adding Bruce Goff’s Japanese Pavilion and Renzo Piano’s additions. Now, the entire conglomerate is slated for a redesign, into a singular swath by famed museum architect Peter Zumthor, with new attention paid to an incoming Metro station. And according to the Los Angeles Times’ architecture critic, Christopher Hawthorne, this is distinctly on track with where the megaregion as a whole is going – part of his so-called “Third Los Angeles”.

This third stage of Los Angeles is “an altogether more integrated, metropolitan-oriented” place, and is the namesake for Hawthorne’s ongoing lecture series exp...

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Christopher Hawthorne dissects Zumthor's inkblot with LACMA Director Michael Govan