Archinect - News2024-12-03T13:18:23-05:00https://archinect.com/news/article/150423703/jr-debuts-latest-italian-commission-la-nascita-for-milan-design-week
JR debuts latest Italian commission 'La Nascita' for Milan Design Week Josh Niland2024-04-11T13:03:00-04:00>2024-04-11T14:38:45-04:00
<img src="https://archinect.gumlet.io/uploads/c9/c98d4f09e84f31efccf28ae41fb4ba89.jpeg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>French street art pioneer <a href="https://archinect.com/news/tag/753838/jr" target="_blank">JR</a> has debuted his latest piece, a massive illusory <em>trompe l’oeil</em> piece animating the facade of Milan’s Stazione Centrale railway station, in advance of the start of <a href="https://bustler.net/events/14318/milan-design-week-2024" target="_blank">Milan Design Week</a> in the Italian cultural nexus. </p>
<p>His latest commission is titled <em>La Nascita </em>(Italian for “the birth”) and will run until May 1st, following two previous Italian projects at the <a href="https://archinect.com/news/article/150256139/artist-jr-cracks-open-florence-s-palazzo-strozzi-with-monumental-optical-illusion-installation" target="_blank">Palazzo Strozzi in Florence</a> and Palazzo Farnese in Rome that were completed in 2021.</p>
<p>“In spaces that have social issues, my work is about bringing people together. In a place like this, a huge range of people come to catch the train. When they find themselves in front of an exhibition, they will suddenly have a different kind of interaction,” he told <em>The Art Newspaper</em> at its <a href="https://www.theartnewspaper.com/2024/04/09/jr-public-art-illusion-milan-stazione-centrale" target="_blank">unveiling</a>.</p>
<p>More of our coverage of Milan Design Week can be found <a href="https://archinect.com/news/tag/268999/milan-design-week" target="_blank">here</a>.</p>
<a href="https://www.instagram.com/p/C5jIBKztH49/?utm_source=ig_embed&utm_campaign=loading" target="_blank"> View this post on Instagram </a><a href="https://www.instagram.com/p/C5jIBKztH49/?utm_source=ig_embed&utm_campaign=loading" target="_blank">A post shared by JR (@jr)</a><br>
https://archinect.com/news/article/150017635/freelandbuck-s-parallax-gap-installation-goes-up-at-the-renwick-gallery
FreelandBuck's "Parallax Gap" installation goes up at the Renwick Gallery Mackenzie Goldberg2017-07-14T13:31:00-04:00>2017-07-14T13:31:32-04:00
<img src="https://archinect.gumlet.io/uploads/ua/uaez26bcztpakehc.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><em><p>Created by architecture firm FreelandBuck, the piece consists of nine different illusions that click into place only if you stand at the exact right point underneath each of them and gaze upward. “We want people to wander through this room and really figure out this puzzle for themselves, while also enjoying this wonderful, confusing, complex shifting of patterns and geometries,” Renwick curator-in-charge Abraham Thomas says. “Touch wood, there won’t be collisions.”</p></em><br /><br /><p>Back in May, the Los Angeles-based studio <a href="http://www.freelandbuck.com/" rel="nofollow" target="_blank">FreelandBuck</a> was <a href="http://archinect.com/news/article/150008427/freelandbuck-craft-a-temporary-trompe-l-oeil-ceiling-for-the-smithsonian" rel="nofollow" target="_blank">selected to design and install a temporary ceiling</a> in the Renwick Gallery’s Grand Salon in the Smithsonian. This is a first for the gallery that plans on turning this into a recurring installation series called "Above the Renwick." The firms project, which utilizes digital technology to achieve the trompe l'oeil effect, recreates iconic American ceilings from quintessential buildings such as D.C's Eisenhower Executive Building and SF's Palace of Fine Arts. The visual puzzle opened to visitors July 1st and will be on display through the rest of the year.</p>
https://archinect.com/news/article/150008427/freelandbuck-craft-a-temporary-trompe-l-oeil-ceiling-for-the-smithsonian
FreelandBuck craft a temporary trompe l'oeil ceiling for the Smithsonian Nicholas Korody2017-05-19T12:54:00-04:00>2017-05-19T19:32:26-04:00
<img src="https://archinect.gumlet.io/uploads/zh/zh1jeil7t1ldw1y2.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>The Los Angeles-based studio <a href="http://www.freelandbuck.com/" rel="nofollow" target="_blank">FreelandBuck</a> has been selected to design and install a temporary ceiling in the Renwick Gallery’s Grand Salon in the Smithsonian, the first in what is expected to be a recurring installation series called Above the Renwick Installation.</p><p><img title="" alt="" src="http://cdn.archinect.net/images/650x/l6/l6qs9yroqr7egyh0.jpg"></p><p>Their project draws on the tradition of trompe l’oeil ceilings, using various techniques to create an illusion of depth. The design comprises a “catalog” of various notable American architectural styles, brought to life with 21st century technology.</p><p><img title="" alt="" src="http://cdn.archinect.net/images/650x/qu/qums899lvnm01w9r.jpg"></p><p><img title="" alt="" src="http://cdn.archinect.net/images/650x/hz/hzgk1m3wx3wa63ak.jpg"></p><p>“Trompe l’oeil illusion functions from a single key point – the center of a nave or directly under a dome,” they <a href="http://americanart.si.edu/exhibitions/archive/2017/parallax/" rel="nofollow" target="_blank">write</a>. “From other points of view, the illusion malfunctions: figures appear suddenly out of scale, space flattens out, or an entire dome seems to change orientation. Given the constant stream of visual illusion we encounter every day, the glitches may now fascinate more than the intended illusion. The Renwick installation amplifies and coordinates these gaps, opening...</p>
https://archinect.com/news/article/116032713/architectural-historian-discovers-chartres-cathedral-has-started-faking-it
Architectural historian discovers Chartres Cathedral has started faking it Archinect2014-12-15T12:05:00-05:00>2018-01-30T06:16:04-05:00
<img src="https://archinect.gumlet.io/uploads/vi/vicscbqog5rvkand.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><em><p>The first portion she pointed out was a pale ochre wall patterned with thin, perpendicular white lines mimicking mortar between masonry blocks. Looking upward we then saw panels of blue faux marbre, high above them gilded column capitals and bosses (the ornamental knobs where vault ribs intersect), and, nearby, floor-to-ceiling piers covered in glossy yellow trompe l’oeil marbling, like some funeral parlor in Little Italy.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd">
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