Archinect - News 2024-05-05T02:47:00-04:00 https://archinect.com/news/article/124302971/the-erection-the-inkblot-and-the-rfra-riff-raff-morphosis-vals-tower-zumthor-s-lacma-and-hoosier-hospitality-confronts-rfra-on-archinect-sessions-episode-23 "The Erection, the Inkblot, and the RFRA Riff-Raff": Morphosis' Vals tower, Zumthor's LACMA, and Hoosier hospitality confronts RFRA on Archinect Sessions Episode #23 Amelia Taylor-Hochberg 2015-04-02T19:25:00-04:00 >2019-01-05T12:31:03-05:00 <img src="https://archinect.gumlet.io/uploads/3e/3et5ujpw2tag66t7.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>It&rsquo;s been a strange week, especially in Indiana. On this episode, before getting to the RFRA-ff, we hit on a neat architectural inversion: LA-heavyweight <a href="http://archinect.com/news/article/123741481/morphosis-turns-vals-into-skyscraper-village" rel="nofollow" target="_blank">Morphosis designs a "middle-finger" luxury tower in the quaint mountain town of Vals</a>, Switzerland, while the subtly grand Swiss museum-master <a href="http://archinect.com/news/article/123916644/christopher-hawthorne-dissects-zumthor-s-inkblot-with-lacma-director-michael-govan" rel="nofollow" target="_blank">Peter Zumthor pushes a calligraphic inkblot for LACMA</a> on LA's Miracle Mile. Vals is already home to Zumthor's Therme Spa. It&rsquo;s like Trading Spaces, but with starchitects!</p><p>On the latter-half of our show, Amelia, Donna and Ken talk with Brian Newman, Archinect Sessions&rsquo; legal correspondent, about <a href="http://www.indystar.com/story/news/politics/2015/03/31/indianas-rfra-similar-federal-rfra/70729888/" rel="nofollow" target="_blank">Indiana&rsquo;s controversial revisions to the Religious Freedom Restoration Act</a> &ndash; with our own Donna Sink on the ground in Indianapolis, we dig into how this national and local issue would affect architects and the profession.</p><p>Paul is away this week, on vacation in the outer reaches of Peru, blissfully out of Skype's reach. He'll be back as soon as he re-enters the connected world.</p><p>As always, you can send us&nbsp;y...</p> https://archinect.com/news/article/110338940/performing-the-ghosts-of-the-gamble-house Performing the ghosts of the Gamble House Amelia Taylor-Hochberg 2014-10-02T17:35:00-04:00 >2014-10-08T23:19:51-04:00 <img src="https://archinect.gumlet.io/uploads/lz/lzdpjttxwt09yiod.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><em><p>Wanting to stretch one's fascia, the wood wanting to expand, and the people inside being very minute in comparison with the wood's needs. It's almost as if the house itself is turning and emptying out all the residue of the people, wanting just to be free, free of the people, free of... the spoilage is the word that I'm getting, I just want to keep pushing out further and further and further, and as I do my own body just feels much much more relaxed.</p></em><br /><br /><p>Aside from being an emblem of the Arts and Crafts movement and an historical landmark, it turns out the Gamble House in Pasadena, California is also haunted. Or, so it would seem according to performance artist <a href="http://www.asherhartman.com/bio.html" rel="nofollow" target="_blank">Asher Hartman</a>, who communed with former generations of Gambles in his "psychic reading" performance of the House. Filmmaker&nbsp;<a href="https://vimeo.com/davidfenster" rel="nofollow" target="_blank">David Fenster</a>&nbsp;captured Hartman's performance in a beautiful short piece, while also languishing on a few elements of the House's rich craftsmen style.</p><p>"Psychic Reading of the Gamble House" is part of <em><a href="http://machineproject.com/gamblehouse/" rel="nofollow" target="_blank">The Machine Project Field Guide to the Gamble House</a></em>,&nbsp;a slew of ongoing art and performance pieces put on by <a href="http://machineproject.com/" rel="nofollow" target="_blank">Machine Project</a>, a maker, teacher, artist and hacker event space in Los Angeles. The&nbsp;<em>Field Guide</em>&nbsp;puts different instances of contemporary art practice in the midst of the Gamble's exemplary early 20th century architecture, creating some interesting counterpoints in the process. Hartman has previously performed for&nbsp;<em>The Machine Project&rsquo;s Field Guide to L....</em></p>