Archinect - News2024-11-23T08:18:39-05:00https://archinect.com/news/article/149986255/death-is-in-the-details-photographic-survey-of-a-mall-about-to-be-torn-down
Death is in the details: photographic survey of a mall about to be torn down Julia Ingalls2017-01-12T20:23:00-05:00>2017-01-17T23:11:38-05:00
<img src="https://archinect.gumlet.io/uploads/jk/jkckx2ptmyn3sxwy.png?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><em><p>Its architecture is painfully lost in its own time and its updates only confuse by neither integrating well into the original structure or standing out as truly contemporary. The pink kiosks, orange tiles, teal chairs and green paneled rooms, the purple plush seating in the JC Penny dressing room, and the bright blue tiered entryways are, along with other decor flourishes, seemingly random, with no coherent pattern.</p></em><br /><br /><p>Declaring that "the dying mall narrative" already peaked a few years ago, Tag Hartman-Simkins decides to photographically zero in on the details of an old mall in Galesburg, Illinois that is about to be torn down and replaced with an updated, outdoor mixed-use space. His careful observations of everything from the floor tile to the overhead music to the way mirrors are arranged in dressing rooms create a nuanced and affecting portrait of long gone times.</p>
https://archinect.com/news/article/149433658/the-architectural-imagination-venice-biennale-participants-revealed
"The Architectural Imagination" Venice Biennale participants revealed Julia Ingalls2016-03-02T15:56:00-05:00>2016-03-16T00:10:02-04:00
<img src="https://archinect.gumlet.io/uploads/mw/mwfp8ymxnouxlot7.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>Twelve firms, including <a href="http://archinect.com/firms/cover/702/greg-lynn-form" rel="nofollow" target="_blank">Greg Lynn Form</a>, <a href="http://archinect.com/firms/cover/25492488/mos-architects" rel="nofollow" target="_blank">MOS Architects</a>, <a href="http://archinect.com/firms/cover/55292232/preston-scott-cohen-inc" rel="nofollow" target="_blank">Preston Scott Cohen Inc</a>., and <a href="http://archinect.com/firms/cover/4055/zago-architecture" rel="nofollow" target="_blank">Zago Architecture</a> have been selected by curators Cynthia Davidson and <a href="http://archinect.com/features/article/120370300/deans-list-monica-ponce-de-leon-of-university-of-michigan-s-taubman-college" rel="nofollow" target="_blank">Mónica Ponce de León</a> to create speculative architectural presentations for the <a href="http://archinect.com/news/article/129865735/monica-ponce-de-leon-and-cynthia-davidson-will-curate-us-pavilion-at-2016-venice-biennale" rel="nofollow" target="_blank">2016 U.S. Pavilion at the Venice Biennale</a>. The presentations will be based on four real-world Detroit sites: Dequindre Cut/Eastern Market at 1923 Division Street, Mexicantown at 6370 Vernor Highway, the US Post Office at<strong> </strong>1401 West Fort Street, and the Packard Plant at East Grand Boulevard and Concord Avenue.</p><p><img title="" alt="" src="http://cdn.archinect.net/images/650x/am/amyoq634wyxwgaza.jpg"></p><p>According to a press release, the idea behind the exhibition is to demonstrate "the creativity and resourcefulness of architecture to address the social and environmental issues of the 21st century" and will have applications beyond the specific sites featured. As previously mentioned at Archinect, at the exhibition twenty photographs of Detroit submitted via a contest designed to tell a larger narrative about the city <a href="http://archinect.com/news/article/148989609/winning-my-detroit-postcard-photos-for-the-2016-u-s-venice-biennale-pavilion-revealed" rel="nofollow" target="_blank">will be available in postcard ...</a></p>
https://archinect.com/news/article/93807273/wide-lens-a-new-column-on-architectural-photography
"Wide Lens": A new column on architectural photography Amelia Taylor-Hochberg2014-02-18T17:40:00-05:00>2014-02-24T22:00:30-05:00
<img src="https://archinect.gumlet.io/uploads/yg/ygbo7ypcwi6ils4l.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p><a href="http://photographyandarchitecture.com/" rel="nofollow" target="_blank">Photography & Architecture</a> makes the work of architectural photographers more transparent, offering information and resources on what the industry and its professionals are like. More than ever, the reputation of an architect rests upon images of their built work, but the professional relationship between architect and photographer isn’t always clear.</p><p>To help bridge that gap, Archinect presents <strong>Wide Lens</strong>, a monthly column from P&A editor, <a href="http://juliegrahame.com/" rel="nofollow" target="_blank">Julie Grahame</a>.</p><p>For the inaugural issue, Julie shared with us an interview with architectural photographer <a href="http://www.feinknopf.com/" rel="nofollow" target="_blank">Brad Feinknopf</a>.</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/ql/qlaznh97qbewnkzb.jpg"></p><p><em>Julie Grahame:</em></p><p>Our colleague Brittain Stone spoke with Brad Feinknopf, a seasoned architectural photographer based in Columbus, Ohio, so that he could relay the way that he helps architects defray the upfront cost of a multi-day, high-end architectural shoot. But first, a little about Brad. His father and grandfather were both architects, and he’s been photographing architecture professionally for over 25 years. Prior to that he ass...</p>