Archinect - News
2024-12-22T01:05:23-05:00
https://archinect.com/news/article/150306839/edoardo-tresoldi-s-installation-monumento-opens-the-chipperfield-restored-procuratie-vecchie-with-a-timely-message-on-fragility
Edoardo Tresoldi's installation 'Monumento' opens the Chipperfield-restored Procuratie Vecchie with a timely message on fragility
Josh Niland
2022-04-14T12:30:00-04:00
>2024-10-25T04:07:38-04:00
<img src="https://archinect.gumlet.io/uploads/d2/d21a5569eafc7e8e0ed37b123e5d9379.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>To coincide with the <a href="https://archinect.com/news/article/150031764/david-chipperfield-to-restore-venice-s-procuratie-vecchie-that-s-been-closed-for-centuries" target="_blank">long-awaited public opening</a> of Venice’s iconic Procuratie Vecchie, Italian artist <a href="https://archinect.com/firms/cover/150181049/tresoldi-studio" target="_blank">Edoardo Tresoldi</a> has produced an installation that helps highlight the mission and function of its newly reclaimed space.</p>
<p>Titled ‘Monumento’ and taking as its backdrop the 16th-century monumental staircase restored by <a href="https://archinect.com/firms/cover/3821/david-chipperfield-architects" target="_blank">David Chipperfield Architects</a> as part of its five-year renovation project, the installation presents a subversion of the traditional thinking and rhetoric that surrounds monuments worldwide. </p>
<figure><figure><a href="https://archinect.gumlet.io/uploads/e4/e40bafa9847e07ce23632ba1d17d3967.jpg?auto=compress%2Cformat&enlarge=true&w=1028" target="_blank"><img src="https://archinect.gumlet.io/uploads/e4/e40bafa9847e07ce23632ba1d17d3967.jpg?auto=compress%2Cformat&enlarge=true&w=514"></a><figcaption>Image © Roberto Conte</figcaption></figure></figure><figure><figure><a href="https://archinect.gumlet.io/uploads/0b/0bc7b19757c4fd664523517f6793ebf2.jpg?auto=compress%2Cformat&enlarge=true&w=1028" target="_blank"><img src="https://archinect.gumlet.io/uploads/0b/0bc7b19757c4fd664523517f6793ebf2.jpg?auto=compress%2Cformat&enlarge=true&w=514"></a><figcaption>Image © Roberto Conte</figcaption></figure></figure><p>Using his standby wire mesh material, Tresoldi was able to replicate past installations in New York and Abu Dhabi using the column itself as a kind of 50-foot-high metaphorical guidepost standing between societal values and contemporary life. Developed in collaboration with architect Carlotta Franco and with support from GICO Studio, the wrapped column is also meant to be as much in dialog with the space around it as it is expressive of a...</p>
https://archinect.com/news/article/126771486/robert-venturi-prince-charles-that-false-corinthian-column
Robert Venturi, Prince Charles & that false Corinthian column
Alexander Walter
2015-05-05T13:53:00-04:00
>2023-09-06T10:46:09-04:00
<img src="https://archinect.gumlet.io/uploads/7n/7n3il5gkf4rtn1mv.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><em><p>Today it houses one of London’s best permanent collection displays, but the 1991 Sainsbury Wing extension to the National Gallery in London was almost scuppered when Prince Charles and the other trustees opposed the architect of the new building, Robert Venturi.
The row was over a false Corinthian column that the US architect wanted as a decorative feature on the Trafalgar Square façade of the new extension.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd">
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https://archinect.com/news/article/95654924/wide-lens-scott-frances-talks-post-production-and-retouching
Wide Lens: Scott Frances talks post-production and retouching
Amelia Taylor-Hochberg
2014-03-17T13:24:00-04:00
>2014-03-25T21:03:04-04:00
<img src="https://archinect.gumlet.io/uploads/9n/9ngjy94jki0krz29.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>For this month's <strong>Wide Lens</strong>, a column that investigates the relationship between architect and photographer, <a href="http://photographyandarchitecture.com/" rel="nofollow" target="_blank">Photography & Architecture</a> editor <a href="http://juliegrahame.com/" rel="nofollow" target="_blank">Julie Grahame</a> shares some insight from her interview with architectural photographer, <a href="http://scottfrances.com" rel="nofollow" target="_blank">Scott Frances</a>.</p><p><em>Julie Grahame</em>:</p><p>Post Production and Retouching of Architectural Imagery</p><p>Master architectural photographer Scott Frances has been in the industry for more than 25 years. He assisted Ezra Stoller in the 1980s, and was introduced by him to Richard Meier in 1988. Meier recalls the meeting in his preface to Frances' book, "MonoVisioN," saying "From my first encounter with Scott I was able to sense a particularly sensitive response to experiencing architecture in his work, and we started a good relationship that extends from the Grotta Residence all the way to my most recent residential project in Brooklyn, New York."</p><p>Frances is also a partner in New York's high-end <a href="http://housetribeca.com/" rel="nofollow" target="_blank">House Tribeca</a> photo retouching house. Who better, then, to give us some thoughts on post-p...</p>
https://archinect.com/news/article/93807273/wide-lens-a-new-column-on-architectural-photography
"Wide Lens": A new column on architectural photography
Amelia Taylor-Hochberg
2014-02-18T17:40:00-05:00
>2014-02-24T22:00:30-05:00
<img src="https://archinect.gumlet.io/uploads/yg/ygbo7ypcwi6ils4l.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p><a href="http://photographyandarchitecture.com/" rel="nofollow" target="_blank">Photography & Architecture</a> makes the work of architectural photographers more transparent, offering information and resources on what the industry and its professionals are like. More than ever, the reputation of an architect rests upon images of their built work, but the professional relationship between architect and photographer isn’t always clear.</p><p>To help bridge that gap, Archinect presents <strong>Wide Lens</strong>, a monthly column from P&A editor, <a href="http://juliegrahame.com/" rel="nofollow" target="_blank">Julie Grahame</a>.</p><p>For the inaugural issue, Julie shared with us an interview with architectural photographer <a href="http://www.feinknopf.com/" rel="nofollow" target="_blank">Brad Feinknopf</a>.</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/ql/qlaznh97qbewnkzb.jpg"></p><p><em>Julie Grahame:</em></p><p>Our colleague Brittain Stone spoke with Brad Feinknopf, a seasoned architectural photographer based in Columbus, Ohio, so that he could relay the way that he helps architects defray the upfront cost of a multi-day, high-end architectural shoot. But first, a little about Brad. His father and grandfather were both architects, and he’s been photographing architecture professionally for over 25 years. Prior to that he ass...</p>