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Peter Marino debuts signature handbag for Louis Vuitton

2022-10-20T11:25:00-04:00

Peter Marino is one of six artists included in the latest update of Louis Vuitton’s signature Artycapucines handbag collection. The incorrigible leatherdaddy and designer of several of the brand’s flagship locations says his all-black contribution was inspired by a medieval strongbox he discovered while visiting a 14th century Venetian palace.

He joins Takashi Murakami, Yayoi Kusama, Sol LeWitt, and other artists to have been featured in the now 9-year-old collection. Bags go for €8,000 but are still rugged enough for everyday wear, despite the dual sculptural qualities he also preferred.

“It was a fun challenge,” Marino recently told WWD. “I design furniture for Vuitton; I design carpets and doorknobs, so it’s very much in the vein of what I do for them. This is not a wussie handbag,”

In leather, as always―Peter Marino designs a pen

2017-08-29T12:19:00-04:00

In the Varius Peter Marino special edition version, leather combined with hand-lacing allows the personality of the fountain and rollerball pens to come to the fore. The cap is topped with a silver and rhodium-plated skull with black onyx eyes. The second version of the pen, the Varius Peter Marino limited edition, is also dressed in leather and is available as a fountain pen, rollerball pen and ballpoint, and in a nod to fashion, fine gray stitching runs the length of the instrument.

Peter Marino created a limited-edition pen collection in collaboration with Geneva-based Caran d’Ache, which has previously used materials such as chain mail, ceramic and wood in their adventurous designs.

“The pen is inspired by a combination of high performance motorcycle aesthetics with my own personal style," said Marino.

John Edwards Lecture 2013: Peter Marino in conversation with Marc Jacobs

2013-12-30T15:18:00-05:00

The 2013 edition of The AF’s annual headline event and trans-disciplinary dialogue presented New York-based architect Peter Marino in conversation with fashion designer Marc Jacobs. The event, which took place at Tate Modern’s Starr Auditorium, was chaired by Penny Martin, editor in chief, The Gentlewoman explored the territories of fashion and architecture and the space in which these two art forms interlink.