2024-12-27T12:40:47-05:00 https://archinect.com/news/article/86067567/rem-koolhaas-ai-weiwei-superflex-and-others-take-part-in-gwangju-folly-project Amelia Taylor-Hochberg 2013-11-08T15:09:00-05:00 >2013-12-27T13:25:19-05:00 <img src="https://archinect.gumlet.io/uploads/c4/c46hqurusry6n75v.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p> Architectural follies impose on our assumptions of what architecture is and what it should be -- what is function, what is beauty, where do private and public space meet.&nbsp;<a href="http://www.gwangjubiennale.org/eng/folly/intro/" rel="nofollow" target="_blank">Gwangju Folly II</a>, part of the <a href="http://www.gwangjubiennale.org/eng/intro/greeting/" rel="nofollow" target="_blank">Gwangju Biennale Foundation</a>, highlights the politicization of public space through multiple folly-interventions in Gwangju. The project includes follies by Ai Weiwei, Rem Koolhaas and Ingo Niermann, Superflex, Raqs Media Collective, David Adjaye and Taiye Selasi, among others, this November 10-11.</p> <p> Artistic Director Nikolaus Hirsch, with curators Philipp Misselwitz and Eui Young Chun, focus the follies on the contentiousness of public space, and its operation on the global scale. Positioned throughout the city, some follies are mobile (Ai Weiwei's "Cubic-meter Food Cart", a rumination on South Korea's <em>pojangmachas</em>) while others highly site-specific (Rem Koolhaas and Ingo Niermann's "The Vote" is installed in a high-traffic commercial area).</p> <p> As the setting for <a href="http://en.wikipedia.org/wiki/Gwangju_massacre" rel="nofollow" target="_blank">Gwangju&rsquo;s Democratic ...</a></p>