Archinect - News

'Despair is useless': Mike Davis reflects on California, the climate crisis, life, and legacy as he faces his own mortality

2022-09-13T18:44:00-04:00

I’ve seen miracles happen. I’ve seen ordinary people do the most heroic things. When you’ve had the privilege of knowing so many great fighters and resisters, you can’t lay down the sword, even if things seem objectively hopeless.

The terminally-ill City of Quartz author sat down recently with The Guardian to discuss his waning health and look back at prescient early warnings of the state’s slow-motion social and ecological demise that has taken three decades to manifest. True to form, Davis was critical of everything: from “fascist” LA novelist Raymond Chandler to Governor Gavin Newsom’s penchant for arrogating his administration’s response to the climate crisis that has been exacerbated by even increasingly harmful and foolhardy attempts to mitigate the housing crisis in Los Angels and other non-urban areas across the state.

Related Feature Interview on Archinect: Meeting Mike Davis

“Our ruling classes everywhere have no rational analysis or explanation for the immediate future,” he said. “A small group of people have more concentrated power over the human future than ever before in human history, and they have no vision, no strategy, no plan. It’s not just global warming, and drought, it’s the fact that two...

What makes "good" architecture criticism? These writers define the traits

2015-04-21T13:52:00-04:00

What is 'serious criticism' in architecture? This is a vital topic, since architecture critics often shape public opinion as much as architects themselves do, if not more so.

Derived from John Ruskin's 1849 essay "The Seven Lamps of Architecture", architect Lance Hosey compiled a list of comments from the small group of architecture writers pictured above about what they believe are the defining characteristics of good architectural criticism and its role in today's society.

Powers of 10 with Christopher Hawthorne, architecture critic at the LA Times, on Archinect Sessions #10!

"Constructing Holden Caulfield": Learning to build character through literary architecture

2014-06-12T18:22:00-04:00

The writer and the architect aren't so different from each other when you consider each one as builders of an environment, and what better way to introduce that concept than to a class of high school students. After reading about Matteo Pericoli's "The Laboratory of Literary Architecture" course in The New York Times, English teacher George Mayo was inspired to teach it to his 10th grade class at Montgomery Blair High School in Silver Spring, MD.

Matteo Pericoli created and taught the workshop in the Scuola Holden creative writing school in Turin, Italy and then in the M.F.A. writing program at Columbia University's School of the Arts. Students picked a literary work they closely understood and then broke it down to its core elements, from which they based their architectural designs.

The goal was for students to avoid literal representations and instead design literary representations that symbolize "the essential ideas of the narrative structure in a spatial form," as described in P...

What happens when we ask writers to try their hand at architecture?

2013-08-06T11:26:00-04:00

Great architects build structures that can make us feel enclosed, liberated or suspended. They lead us through space, make us slow down, speed up or stop to contemplate. Great writers, in devising their literary structures, do exactly the same. So what happens when we ask writers to try their hand at architecture?