Sam Lubell on cultural institutions’ newfound embrace of landscape architecture

2024-04-23T18:30:00-04:00

[...] such projects have fundamentally transformed in recent years, reflecting, among other things, seismic shifts in both museums’ priorities and the profession of landscape architecture, as well as a surge in interest in outdoor space because of the pandemic. The first rule: don’t dare call them gardens. These are sophisticated landscapes integrating — and enhancing — institutions’ missions while also encouraging education, sustainability and a much-needed sense of civic welcome.

Sam Lubell of the New York Times talks to Walter Hood, William Fain, and Kate Orff for a survey focused on the expanding role of landscape architecture in major American cultural sector projects.

He says: "The ascension of landscape in the museum world shows no signs of abating." Projects of note include the Hirshhorn Museum’s debated Hiroshi Sugimoto-led sculpture garden redesign, Studio-MLAand Frederick Fisher and Partners’ work for the Natural History Museum in Los Angeles, and the forthcoming Calder Gardens in Philadelphia from Piet Oudolf and Herzog & de Meuron.

"Museums are places where you can say something about the culture. Where we can begin to vet some of these things that we don’t want to talk about. It goes back to the idea of these being the new civic spaces, where honest conversations can be had," Walter Hood told him. (A look at his firm's contributions to the new International African American Museum in South Carolina by Moody Nolan and Pei Cobb Freed can be found ...

Archinect - News

Sam Lubell on cultural institutions’ newfound embrace of landscape architecture